YA Highway

nomadic novelists celebrate fiction's most exciting age group: young adult



Road Trip Wednesday is a "Blog Carnival," where YA Highway's contributors post a weekly writing- or reading-related question that begs to be answered. In the comments, you can hop from destination to destination and get everybody's unique take on the topic.
We'd love for you to participate! Just answer the prompt on your own blog and leave a link -- or, if you prefer, you can include your answer in the comments.

 
This week's topic:
What's the best book you read in November?

Road Trip Song of the Week:
"Promises" by Nero
(this one's for lara ehrlich)

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Why Authors Disappear

Behind the scenes at YA Highway (the garage? The auto body shop?) we discuss many important things, including Kate Hart's sparkly eye shadow and that time in 7th grade meangirls chased me and romancing sweet Transylvanians, be they of the Veronica Roth or Rocky Horror variety.

Recently, we've talked quite a bit about when authors disappear – as in, they stop participating in writer's forums, neglect their blogs, tweet less, so on and so forth. Obviously, this isn't universal. A number of authors even increase internet face time upon publication; with flourishing blogs and must-read twitter feeds. But the Case of the Vanishing Author is common enough that I think it's worth discussing (in a much longer blog post than I intended, apparently).

First, because I'm kinda one of them. Second, and foremost, because I've seen some misunderstandings when it comes to why. Warning: can o' worms. Ready your fishhooks.

For me, at least – it is NOT (not not) because I think I am somehow superior, now that I'm published.
OMG no.
I can't swear there aren't diva authors out there, though I'm wracking my brain trying to think of any. But for every author I've spoken to about this topic, a sense of Now I'm published! superiority (ew gross) has absolutely nothing to do with their hiatus from the internet. To be honest, the majority of one- or two-books-in authors are still wide-eyed and blinking, wondering, how did I get here? What is that beautiful house? Where does that highway lead to? (Sorry.)

Busyness is another common explanation, and a valid one. Published authors aren't necessarily busier than aspiring authors, though. Some are tremendously busy, certainly, especially those with multi-book deals, who travel a ton and keep day jobs and rear children besides. But most authors, I think, are just super-busy in spurts. There's someone on the other end waiting for those revisions, so no lollygagging allowed. That accounts for sporadic disappearance, oftentimes.

Yet another valid reason is the classified nature of publishing. You can't discuss submissions to publishers, advance figures, contract negotiations, sales information, and that sort of thing in public. Or rather, you can, but you really shouldn't. For face-saving reasons, sure, but mainly because it's not the best idea to anger your publisher (or agent!).

But there are many other reasons authors taper off. Reasons that are a lot harder to explain, because they touch upon personal things like Stress and Anxiety, and a whole host of controversial topics.

Once you've landed an agent, sold a book, and particularly after you're published, suddenly there's this whole new set of rules in regards to internet interaction (in the YA echo chamber specifically) – rules that are hazy and changeable, depending on whom you're talking to. Even the boldest, most self-confident author has to worry about saying the right thing, and the wrong thing, and too much of a good thing, and offending reviewers, aspiring writers, other authors, other publishers, and on and on and on. It's an ongoing angst, and it pops up in myriad little ways, almost every time you engage in the online community.

SUCH AS
Thanking book bloggers for Waiting on Wednesday posts. Is that sucking up?
Clicking "like" on Goodreads reviews that resonate. Am I leaving people out?
Commenting on reviews of my books. Obviously a no-no if it's a negative review – but what about positive reviews? I mostly stick to reviews tweeted to me, but even then. What if people think I'm obsessing? Stalking myself? Help!
My blog. Am I talking too much about my books? About myself? Have I been published long enough to make my advice worth anything? Am I just shouting into the wind?

All of a sudden, writing forums seem scarily public. It's challenging to discuss books critically online, because almost every time, we're friends with the author, have met the author, or likely will some day. We're thrilled but also daunted by our blog and Twitter followers, our Facebook and Goodreads friends.

Don't get me wrong – in so many ways, this is all fantastic. I know it makes me choose my words more wisely, even when composing a tweet. (then again…) If something is important to me, I have more reach. But I'm ultra-aware how even minor slip-ups can spread. Moderate slip-ups can become memes. And the internet has a looong memory.

What's more, there seems to be a consensus that authors shouldn't complain publicly – that they should take hard knocks like professionals; suck it up and move on. I'm partially on board. Critical reviews are part of the process. (And super important to the community – hell, I read them first, even for books I adore.) And just because an author's microphone is louder doesn't mean they should sob into it, because it's depressing and also pretty boring, frankly.

However, I think it's disingenuous to suggest hurt feelings are for amateurs – that publication comes with instant impermeable armor. I'm no wimp (well, except when it comes to heights or carpentry) (or wormy things) (oh god, parasites), but I still hurt and grieve and angst. All authors do, I'm pretty sure. (If you don't, please share your armor vendor, kthnx).

But for all the reasons above, we keep it private. We share with family, friends, our patient and blessed critique partners. We retreat into private forums and email threads. That's good – you don't want to see my angst face, it's not particularly becoming. But it also means there has to be less participation in public venues, like Absolute Write, the Blueboards, Twitter, Facebook, our blogs. Especially in the beginning, when we're still learning to manage this crazy wild scary wonderful author career thing.

So when an author tapers off, fades away, vanishes, whatever you want to call it, it's important to know that it's not personal. Or rather, it is personal, but only on the author's side; and we -- I!-- hope it's only temporary. At least, until I figure out how to put on this clunky newfangled armor correctly, because I'm pretty sure my underwear is showing.


What do you think about disappearing authors? Do you wish authors were more vocal about stuff like this? Less vocal? (Fill in your own discussion question here ____.) I'd love to hear your thoughts!


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In the years following the destructive Long Winter, when half the world’s population perished, the State remains locked in battle against the Sensitives: humans born with extra abilities. 


As one of the last descendants of the State’s Founders, seventeen-year-old Lark Greene knows her place: study hard and be a model citizen so she can follow in her family’s footsteps. Her life’s been set since birth, and she’s looking forward to graduating and settling down with Beck, the boy she’s loved longer than she can remember.  


However, after Beck is accused of being Sensitive and organizing an attack against Lark, he disappears. Heartbroken and convinced the State made a mistake, Lark sets out to find him and clear his name. 


But what she discovers is more dangerous and frightening than Sensitives: she must kill the boy she loves, unless he kills her first.


Sounds pretty awesome, right? That's the summary of LARKSTORM by Dawn Rae Miller, and the book is every bit as great as it sounds. As part of her blog tour before the book's release on December 6, Dawn is giving away a Kindle Touch here on YA Highway, and the winner will also receive a copy of LARKSTORM (after you've received your Kindle). And entering is easy! Just fill out the form below. You'll get extra entries for blogging, tweeting, and adding LARKSTORM on Goodreads. This giveaway is open to US residents only.

Throughout the week, Dawn will be posting teasers from the book, and I'll link to them as they go up. It started yesterday, with the release of LARKSTORM's retro-styled trailer. And today, Dawn posted the first teaser on her tumblr.



Giveaway will end at midnight PST on Monday, December 5 so that the winner can be announced on LARKSTORM's release date, December 6th. Good luck!
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Today I am happy to welcome Lee Nichols, author of the Haunting Emma trilogy to the Highway! The third and final book in the series, Surrender, is out soon, and we have Lee here to talk about it! She spills about music, the ins and outs of series writing, and the perfect Emma actress!


Plus, stay tuned for a giveaway at the bottom of this post!

First, let's get to the interview. Thanks for joining us, Lee!

1. Is Surrender going to be the final book in the series? If so, what will you work on next? If not, what can we expect from Emma in the future?

Surrender is the final book. I’ve written another YA novel, but it’s a complete departure for me, so I may publish it under a pen name. And, at the moment, I’m taking a break from YA and going back to my roots in women’s fiction. After a number of years focusing exclusively on teens, it’s fun to think about what it’s like to be an adult again.

2. What is the best part about writing a series? What is the most difficult part?

The best part is writing about the same world and characters that are so hard to let go of when you finish a book. At the same time, it’s difficult to write about the same characters and world and somehow create a completely fresh and distinct new novel.

3. If you could use one song to describe Surrender, what would it be? What songs would you choose for DECEPTION and BETRAYAL?

Deception: Acapella, by Kelis

Betrayal: C’mon Baby, by Bob Schneider

Surrender: Blindfold, by Morcheeba

4. What inspired you to write the Haunting Emma series? Have you always been a fan of ghost stories?

I am a fan of old Gothic mysteries. And the idea for the series came from wanting to write a contemporary version of that. Sometimes you intend one thing and another comes out when you start to write. I’ve still got the haunted house and the romance, but that’s about all that I started with.

5. Now about you. If you could be any YA character, who would you be?

Hmm. I’ve never thought of that before. I probably identify most with Ruby Oliver in E. Lockhart’s series, so I’ll go with her.

6. Can you tell us some of your favorite YA books right now?

I hate to play favorites. Just go read whatever hits your fancy. There are so many wonderful books out there right now, it’s impossible not to stumble upon something brilliant.

7. And, finally, if you could cast a Haunting Emma movie - who would you cast as Emma?

At the moment, it has a better chance of becoming a TV show, and for that I love Diana Agron. Actually, a book blogger who’s read all three books in the series just tweeted me she thought Diana Agron was the perfect choice, before I even mentioned it, so clearly she fits.


Thanks again to Lee for joining us, and for sponsoring the interview that follows!

If you want to win a paperback copy of SURRENDER, you're in the right place! All you have to do is leave a comment below. I'll draw a winner next monday, so be sure to check back in to see if it's you!

Contest upon to US only. So enter away!


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I'm afraid it's true. I haven't written. Not seriously, not for several weeks anyway. I've been doing other things - writing research papers for school and freaking out about finals and attending relatives' weddings and doing some intense thinking about my life and my faith and my family. I've forgiven a few people against whom I have held grudges, and I've allowed myself to get angry at a few people who needed to see my frustration.

But my WIP has been sadly dormant this month.

I regret this. I regret it because I really do love writing, and I really do love this story, and I really want to finish it... But I took a break anyway.

I think writers are some of the most driven people in the world. They will set daily goals for themselves; they will revise their novel a hundred times; they will save every penny for a conference that could teach them a new craft. This is such a wonderful trait, this ambition; it is what separates those "oh, I might write a book one day" people from the ones who actually DO IT.

But as a writer, we are also stressed. We are under enormous pressure - most of it self-generated - and after a while, it shows. Your friends haven't seen you in months. Your family hasn't heard from you. Even your writing group has lost track of you, because you've been so busy writing that you haven't been around to congratulate them on their own progress.

Dear writer, I admire your drivenness, but it is okay to take a break. In fact, PLEASE take a break, before you implode or have an aneurysm. There's a whole world out there, and sometimes the best thing to do in order to be a better writer is to go out and play in it.

So, writer - how are you going to play away from your computer today?
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THIS WEEK IN WRITING

tethered clouds - Beautiful post from author Beth Revis about being thankful for your dreams, even the unfulfilled ones.

- Author Nova Ren Suma has been hosting a fabulous blog series on inspiration, including this particularly great post by Alexander Chee.

- Even once you sell, it's not all fun and games. Leah Clifford gives another trilogy writer advice on finishing the dreaded sequel.

- You know you're supposed to show, not tell, but why? Author Sarah Fine has the psychological explanation.

- It's hard to get much done during the holidays, but agent Rachelle Gardner can help you make a plan.

- Do you suffer from one of these tragic writer maladies (courtesy of Nathan Bransford)?

- It's easy to let the publishing roller coaster ride get you down, but Brandi Ann Uyemura has a good post about finding meaning in your life while you're chasing the dream (via Jessica McCann).


THIS WEEK IN READING

tori amos in a box - Malinda Lo hopes readers will consider heroines outside of the white, straight box.

- BookRiot has five signs you've been reading too much YA.

- Ten themes shared by historical fiction and sci fi, at io9.

- Zoe Williams at the Guardian presents this week's ultimate link bait literary discussion: Is it irresponsible to read fiction when serious things are happening?

- Why author Erin Bowman is deleting book ratings and adding reviews.

- The Book Cellar is heading a 2012 fantasy reading challenge.

- YA is "is by far the best written genre," according to Kim Wright at The Millions (via Margaret Jones).

- It's almost the end of the year and the "best of" lists are in full swing. The NYT named their notable children's books of 2011, and the Kirkus list goes live on Monday; Random House takes it a step further with their "Best of the Book Lists" list.

Don't see your favorites? The Story Siren wants your nominees for best debuts of 2011, and the Goodreads Choice Awards are in their final round-- last chance to vote!

- Fantasy author Anne McCaffrey passed away this week at the age of 85.


THIS WEEK IN YA ON THE SCREEN

neil gaimon simpsons - Some Screaming Fangirl breaks down the reality behind The Simpsons' YA book packaging episode.

- Summit announces they've cast an actor to play Ender Wiggin in the screen version of Ender's Game.

- Author and all-around rad chick Myra McEntire tells "the truth about the book deal, or why book bloggers matter."

- Holy crap guys, Diablo Cody says a Sweet Valley High movie is totally close to happening. Someone hold me.


rpattz is a troll img one - Tons of Twilight talk this week, after last week's release of "Breaking Dawn Part 1." The NYT gave the movie a fairly decent review, while NPR declared "the narrative sledgehammers are all as distasteful as they are inelegant."

Goodreads put together an infographic that shows whether you live in the "Twilight belt," Sara N. at Stellar Four has a handy guide to when it's okay to hate on the series (via Felicity Disco), and Mashable claims Twilight loses against Harry Potter in social media.

What really got people going, however, was an interview with screenwriter Melissa Rosenberg, where she describes how she squared the story with her own pro-choice, feminist beliefs. On the heels of that piece, Erika Christakis at Time published "On the Harsh Bigotry of Twilight-haters," where she points out that "women have long endured men’s insulting and unhinged fantasies."

RPattz is a troll img twoSarah Rees Brennan says we should talk about problematic stuff, but we should also "trust ladies to think, let them be into weird business," and Holly Black says, "Yes, let's talk about Twilight. Let's analyze it. But let's do so with a little more nuance and a little less agenda." Naturally, this all led to interesting discussion, both in the comments and on Twitter (as well as the predictable "omg Twilight is the greatest!!1!" and "omg Twilight is the worst and U R an idiot for saying anything that could possibly be construed as its defense.")

Just want to watch the movie and have fun? Forever Young Adult has you covered with one of their signature drinking games; Sarah Enni breaks down the movie's pros and cons, Cake Wrecks has the best of the worst Twilight-themed cakes, and Cleolinda Jones has the recap we've all been waiting for.

Want to get your hate on? Not one but two blogs prove RPattz is the biggest Twilight troll out there. Totally obsessed? I'm not saying you should, but you can wear Bella's dress at your own wedding, for the low low price of $799 and all your dignity.


THIS WEEK IN PUBLISHING

friday reads logo - Did you know the #Fridayreads hashtag includes paid ads? Neither did a lot of people. Friday Reads apologized and updated their FAQ in response.
 
- Mike Shatzkin describes how publishers are adding value on the marketing side (via Jane Friedman).

- Find out how digitization of the music and book industries differ (via Michele Wells), while Vicky Harley says that digitizing books is way harder than you think, both at FutureBook.

- Lots of conversation in the comments at Squeaky Books about whether authors should comment on reviews.

- Penguin decided to withdraw many of its e-books from library lending this week. Meanwhile, bloggers stirred up controversy about the terms offered by Penguin's new Book Country venture.

- A self-published author Roz Morris says self-publishing isn't for people who couldn't get published or represented-- it's for people who could, and choose not to.

- We've all heard the "so-and-so author got ONE MILLION REJECTIONS and then their book was a BEST-SELLER" story, but Michele Witte has a look at the reality behind the publishing urban legends.

- Agent Betsy Lerner lists the top ten query opening line mistakes.


THIS WEEK IN OTHER STUFF

kermit and piggy - Kermit the Frog is a terrible boyfriend, says Julie Klausner at Jezebel.

- SOPA, an anti-piracy bill moving through Congress, met major backlash this week from major figures including Google, Twitter, Facebook and more.

- The NYT takes a very interesting look at teaching teens not just sex ed, but good sex ed (via Michelle Andelman).





THIS WEEK IN THE RANDOM

-The EU decided this week that water bottles cannot claim their contents prevent dehydration. In other words, water is not wet. Oooookay.

- Sarah Enni brought you 43 pictures of dogs playing in leaves. You're welcome.

- The turducken of desserts, the "cherpumple," combines cherry, apple and pumpkin pies inside a cake. (You can thank Kirsten for this link.)

- Danielle Critenden, extremely brave blogger at the HuffPo, takes one for the team by testing the "drunk tampon" myth. OW. OW OW OW OW OW. (This link is also Kirsten's fault.)

"I can't carry the ring, Mr. Kermit, but I can carry you!"
Genius Muppet/Lord of the Rings crossover art at io9.

fozzie sam carries kermit frodo

People magazine chose Bradley Cooper as this year's "Sexiest Man,"
and the Ryan Gosling fans are incensed.

ryan gosling was robbed

Guyyyys. Octopi are now walking on land. And here you thought zombies were the real threat.

Have a great weekend!
~ Kate Hart



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Happy Thanksgiving from YA Highway!

Is it Thanksgiving already? Oh, wow! Have a happy one, everyone in the U.S. and beyond!

Hopefully you'll end up enjoying Thanksgiving in a classy way, like this cool cat:


And not like this one:


Wait, what am I saying? That second kitty is obviously having a better time. Eat up and have a great day, all you lovely and amazing folks!

Also, don't forget to give thanks for how awesome you are - as writers, readers, and people. YAY!


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Road Trip Wednesday #106: Thank You!


Road Trip Wednesday is a "Blog Carnival," where YA Highway's contributors post a weekly writing- or reading-related question that begs to be answered. In the comments, you can hop from destination to destination and get everybody's unique take on the topic.
We'd love for you to participate! Just answer the prompt on your own blog and leave a link -- or, if you prefer, you can include your answer in the comments.
 
This week's topic:
What writing or publishing-related thing(s) are you most thankful for?

(We're thankful for YOU GUYS! Thanks so much for participating in Road Trip Wednesday -- you make our week every single time!)

Road Trip Song of the Week:
"Thank You" by Alanis Morissette

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Revising Away From The Computer

Revising is hard. I love revising, possibly more than I love drafting, but I still think it's hard. There's a lot of advice on how to revise successfully, because there are so many ways to help yourself be better at it. For me, one of those many ways was just to get away from my computer.

I've long been a fan of printing out my manuscripts to revise them. There's something about seeing the words on paper with my notes scrawled all over and things crossed out and moved and whatever else I do to the poor document that just makes the progress feel real. I think this is the same reason Word's track changes feature appeals to me*.

Lots of people revise well on their computer. There are even programs like Scrivener designed to make the process easier. But I don't revise well that way. I don't draft well on the computer, either, for that matter, which is why I own about a million and two notebooks. My computer is very distracting. It has so many games on it. And, worse: the internet. Since you're reading this blog post right now, I don't think further explanation is necessary on all the ways that the internet is distracting.

But if I move away from the computer, my concentration skills increase exponentially. I can curl up on the couch or in my bed or in a chair with my printed out document and cackle maniacally as I cross out and rewrite entire paragraphs and scenes--because, feeling slightly guilty for my tree slaughter, I try to only do one revision on a printed out version, so I usually pick an early stage of revision when I'm making lots of changes--and not be distracted by shiny things like email or Facebook or news stories. Plus somehow, seeing the manuscript in a different medium makes typos and awkwardly written chunks jump out to me more. And when I got a Kindle, I discovered that I could revise away from my computer on a screen that doesn't hurt my eyes and I could do it without printing out all those pages and whispering, "I'm sorry!" to the tree outside my window. It's not really made for revising, but it has a notes feature, and between that and the use of the aforementioned million and two notebooks**, I can revise in that same distraction-free way as when I printed it out. And am less likely to accidentally drop the whole pile of pages and have to try and figure out what order they are supposed to be in.

So in this way, I've grown into a revision style that works for me. One that makes revising enjoyable and that helps me be more successful at it, even if someone else trying to decipher my notes to myself might feel like they were reading an alien language. What about the rest of you? Where do you revise, and how do you keep the distractions at bay?


*I have a love/hate relationship with track changes, because sometimes it's mean to me.
**I know, I know. The trees just can't escape me.
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Why it's ok to be a tortoise

This is exactly what I look like when I sit down to write.
You might know this feeling. It starts when you turn on your computer. Facebook needs to be checked, because someone might have tagged you in a disastrous photo. Your email needs to be checked, because someone might have emailed you the most amazing link of all time. And you need to check the news, because there might be an impending zombie apocalypse. But you fight all of this and open MS Word. 

After a long pause, mostly spent thinking about zombies, you type four words. They are all clumsy, ugly words. You rearrange them. You manage a few sentences. Then your cat leaps on top of your keyboard. On the internet, which you're honestly not checking right now, not really, one of your best friends is online. I've written, like, 400,000 words today. I'm on some kind of roll, they say. You writing at the moment? You sigh.

You check your word count. Today, so far, you have written 32 words. Then you realise you haven't deleted your cat's contribution yet. You growl quietly to yourself. You type one sentence, then another. Every word seems to weigh a tonne. Then you notice you've contradicted something you said earlier. You remove 25 words. At this point, it's awfully tempting to abandon the whole exercise. But you ignore the toast cravings, the internet, your neglected pets and children. You type. And you type.

And there are a couple of things that can happen. One is that you could break through all this. An epic number of words could find their way out of you. You could stop, let out a breath you didn't know you'd been holding, and lean back in your chair in a state of productively productive happy happiness. 

But the other thing could happen. It could be a tortoise day. The world moves very slowly on a tortoise day. You could sit fighting for hours and produce, you know, two words, that both turn out to be wrong. And all the while it seems like the internet is full of racing hares, scampering out millions and millions of words. Sometimes, the thought of a possible tortoise day is so depressing that you don't even want to take the risk. You could abandon things now and never know. But you don't. You risk being the tortoise. And you clench your teeth and you write write write, and hope that you come out the other side intact.

Chances are, you won't have a tortoise day. You'll have a decent day. Or even a good day. Or a fantastical zillions of words day. But what if you're unlucky? What if this is the day when you can't remember why you're doing this, when you can only type at a rate of one and a half words per hour, when you make such slow progress it's unbelievable that you could be making progress at all? Doesn't it prove you're the worst writer in the world, if you have a day like this?

No. All writers have tortoise days - the famous, the unpublished, and everyone in between. In the end, the tortoise days are just as important as the sprinting hare days. Because it's not about who goes fastest. It's about making stories out of nothing, one sentence at a time. And if you keep going, no matter how slowly you go, you'll win.



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Embracing Your Dark Side

Just don't expect us to share.

Relatability.
shut up spell check. It's totally a word.

It's how we writers can make a reader care about someone who has a witch for a best friend and two smoking hot vampire brothers chasing after her (because abstractly, I kind of want to hate her and her good fortune).
Just needed an excuse to google Somerhalder this morning.



It's what makes us root for the geeky, less than coordinated, just-looking-for-a-shred-of-luck girl.

 
Was I the only spasticly awesome nerd?















Because we all share a common thread.
Someone promised me cookies. I want my cookie!
Wait.

How did Darth get in this post?

Surely, there's no way we have anything in common with that man. I mean, we watched him play slice and dice with his lightsaber in a room full of little jedi younglings. That's cruel and cold-hearted. Unacceptable. Inexcusable.

So what if it was because his mind had been twisted over the thought of losing his one love and turning to the dark side was the only way he thought he could save her . . .

Huh. Well that still doesn't make what Darth did okay. But it does make a little more sense.*

Most importantly, it makes for an intriguing and complex character.

But we already knew villains need to have a little good in them--some small streak of humanity to ensure they're more than just a crusty old caricature--to make the story all the more compelling. However, we shouldn't overlook our main characters when dishing out sides of darkness. Whether we like it or not, we've all got a little bit of evil inside.

Yoda was a wise man (well. unspecified creature) and said many things worth remembering, but his teaching of the force wasn't always spot on.

Wrong sometimes I am.
 "But beware. Anger, fear, aggression. The dark side are they. Once you start down the dark path, forever will it dominate your destiny."

Not only does the little green guy have a tendency to murder proper sentence structure, but he's basically condemned all of us to the dark side because the emotions he speaks of are the very ones we all carry around. And yes, they might be responsible for some of our less than stellar moments, but they're also what makes us human. Which is what makes us relatable. dammit spell check. Mark my words, I will end you.

So the next time you're staring at that spreadsheet of eye color, nose shape, and quirky habits for your main character, don't forget to add in a little drop of evil. You're not creating a character to win a Ms. Congeniality  (or maybe you are. But you get my point.). You're creating something flawed. Something unique. Something human.

I'm certainly not perfect. Neither are you. But we've got friends and family that still love us, and your main characters--flaws and all--will still find readers that love them, too.


*the poster is in no way condoning the actions of young Anakin. Only illustrating that love, and all the other emotions we humans carry, lead us to other feelings and actions that at times make us act in ways we normally might not.









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THE BIG NEWS THIS WEEK

Hunger Games collage YA movies! The Hunger Games trailer premiered Monday, and many fans thought it was fabulous: Some might even switch to Team Gale, although others appear to be more Team Lenny Kravitz, a decision I am certainly on board with. 

Others,however, were shocked-- shocked, I say!-- to realize there are black folks in the world in the movie. Hollywood Crush interviews Seneca Crane's spectacular beard, and apparently the world stopped for the announcement of these HG-themed nail polishes.


RPattz & TLautner try to escape
Oh boys. It's far too late to escape now.
Meanwhile, "Breaking Dawn Part 1" hit the theaters at midnight, and the publicity machine is in high gear. Fans lined up for days outside the premiere, competing for most Twi-lit tent and taking pictures as Edward's bride, which is still not as alarming as io9's 25 most disturbing Twilight products of 2011. Indian Country Media took a look at the Native actors featured in the films, and EOnline tries really hard to make it sound like Stephenie Meyer hates her fans (and fails).

Kaleb Nation describes opening night from the media side, and the Boston Herald has news that might be the only legit spoiler possible: Meyer makes a cameo in the film (as does Ellen Degeneres). Even The Muppets get in on the act.

Kavita Varma-White hopes the bloody births scene scares teens silly, and Sarah Blackwood weighs in on the value of the series with "Our Bella, Ourselves" at The Hairpen (via Cleolinda Jones):
"This is an uncomfortable place for feminists, because this heroine is not particularly good at actualizing herself. Bella waits, she wallows, she thinks, and feels, and worries, and wonders. She does not actualize in the sense we have come to expect from our heroines, an expectation that, I might point out, is quite often based on a masculinist understanding of what being effective in the world looks like."


THIS WEEK IN WRITING

kitty in leaves - Written? Kitten! Meet your word goal and get a kitty picture. I fear the internet has reached its peak.

- Hands down best post all week: "The books and authors who make a difference in your life are not the ones with the most credentials, the most money, or the most awards. They are the ones that you connected with, the ones that moved you on the merit of their prose, characters and stories," says author Kristin Hoffman.

- Author Rick Lipman presents the paranormal YA drinking game. Unfortunately my liver is now destroyed.

- "I'm there but I'm not there." Author Tess Gerritsen on patient families and novels in progress (via Elizabeth S. Craig).

- Eight YA authors talk fantasy at a Manhattan Books of Wonder panel.

- The Intern speaks out in praise of mutual author aid, unless the cake is gone.

- Author Melissa Senate starts her career over from scratch with a new pseudonym

- How many books does the average author write before getting published? Tawna Fenske says you might not want to know.


THIS WEEK IN READING

Mae Jemison - Author Deva Fagan illustrates the power of diverse science fiction.

- Congratulations to Thanhha Lai, whose Inside Out and Back Again won the National Book Award for Young People's Literature.

- The lovely and talented Tahereh Mafi explains why teens dig the paranormal in the Wall Street Journal. 

- The 2011 Goodreads Choice Awards semifinals are open-- go vote!

- Flavorwire presents a brief history of time travel literature.

- The New York Public Library gives tips for caring for your books at home. Meanwhile, the Occupy Wall Street library tries to rebuild its collection.

- Six major writers unpack their libraries for FT Magazine.

- The Guardian asks, "Which are literature's greatest unseen characters?"

- Need some motivation? GalleyCat has several writing playlists that you can listen to on Spotify.

- Last week we mentioned several posts concerning "dead girl" covers, and this week agent Kristin Nelson weighs in on the trend.


THIS WEEK IN PUBLISHING

covers with name in increasing size - How to literally be a big name author: Slacktory measures the name-to-title ratios of various authors.

- Should you give your agent a holiday gift? Jennifer Laughran has advice.

- Cool feature at Publishing Trendsetter: The life cycle of a book.

- YA is "heating up the charts," and The Boston Globe takes a look at the phenomenon.

- Writer Beware introduces their "Small Presses" page

- Major restructuring going on at Houghton Mifflin Harcourt.

- HarperCollins union members rallied Thursday to express frustration with the company.

- Angry Robot announces a sister imprint, Strange Chemistry, that will publish YA genre fiction.

- As publishing continued to discuss the plagiarism in Assassin of Secrets, Kirkus revealed their picks for Best Fiction 2011-- and didn't pull Markham from the list quite quickly enough.

- Lots of cautionary tales this week: Agent Rachelle Gardner provides a list of things writers shouldn't blog about, Richard Curtis at E-Reads gives a quick explanation of nondisclosure or confidentiality agreements; LitReactor has "The Author's To-Don't List," and the lovely Carolina Valdez Miller explains how she recovered her stolen Google and Yahoo accounts.


THIS WEEK IN OTHER STUFF

O for Oregon and oops - "The Oops in the O for Oregon" - hilarious, but also a very cool story about football players at the University of Oregon learning sign language.

- Just a few real-life examples of why YA might be "dark": A Wyoming high school coach resigned this week after giving students a "Hurt Feelings" report with spaces for "I am a queer," "I am a little bitch," and more-- yet he will still serve as school guidance counselor; an Ohio girl had to wear concealed recording devices under her clothes before the school would believe that a teacher and an aide were bullying her.

- Lots of talk about the website Klout this week, as John Scalzi explains why he opted out of the service, Maureen Johnson tweeting about why she opted out, and Joe Fernandez defending his company's mission.

- Meanwhile, Salman Rushdie fought it out with Facebook and won the right to use the name that he... you know, uses.

- Cracked looks at five old-timey prejudices that still show up in every movie.

- Congratulations to Middlebury College, winners of the 2011 Quidditch World Cup! (Can I just say how stoked I am that my tiny little alma mater sent a team and hosted a tournament?)


THIS WEEK IN CONTESTS

- Enter to win any or all of Regal Literary's nine Winter Giveaway books!

- Win a copy of Rebecca Belliston's Sadie as well as a copy of Self-Editing for Fiction Writers!


THIS WEEK IN THE RANDOM

- YA writer Leila Sales gets the spotlight at Gizmodo for her hilarious collection of accidental text messages, "The Leila Texts."

 - Mental Floss lines up the all-time most popular posts from 21 cool websites (complete with shout out to the Fug Girls!)

I should have seen this coming, and yet somehow...

katniss in glass case of emotion

One of the greatest things I've ever seen: Jimmy Fallon as Jim Morrison singing "Reading Rainbow."



Have a great weekend!


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Last summer, I was given the opportunity to read a novel called SAVING JUNE before it was even released in ARCs. I devoured the book, tore through it, couldn't put it down. It was emotional and romantic and real. I loved it, in case you can't tell. I loved it so much that it became the first book I ever blurbed.


And now it's making it's way to the rest of the world, and I couldn't be more excited for Hannah Harrington. So today I'm thrilled to have the chance to do an author interview with her here on YA Highway! So everyone, welcome Hannah!!

Okay, let's get started.




1. How did you get the idea for Saving June?

Part of it came from personal experiences when I was in high school, and part of it was inspired by—surprise, surprise—music. A family member of mine did pass away when I was a teenager, and though the circumstances were different, that experience did inform some of the story.

2. Saving June has a lot of musical references and themes. So if you had to describe the book using only 3 song titles, what would they be? (Note: Not the songs, but just the titles - EXTRA CHALLENGING!)

I love this question! Okay, here it goes:

"Hey, That's No Way to Say Goodbye" - Leonard Cohen

"Metal Heart" - Cat Power

"Nothing Better Than A Journey To You" - Bon Iver

3. If you and Harper (the main character from Saving June) were to hang out, where would you guys meet up and what would you do?

Harper really loves photography, so we’d probably meet up at a park or somewhere and spend the day taking pictures. Then maybe afterward we’d swing by the Oleo Strut, the record store Jake works at, to visit him and listen to music together!

4. What was the best part of writing Saving June? What was the hardest?

I really loved writing all of the scenes with Harper and Jake—the banter and tension was fun to write, and I really liked showing what the two characters brought out in each other. The hardest part to write was probably June’s letter at the end. Originally I didn’t have it in the story at all, but my editor thought it’d be better to include it, and it was very difficult for me to write and try to convey what was going on in her head at that moment.

5. As you know, I really loved this book. I read it in one day - couldn't put it down! I've read it a few times since then. So I want to know, were there any books you read as a teenager that you loved so much you read them multiple times? What were they, and why did you feel so strongly about them?

Thank you so much! You know, there were a lot of books I fell in love with as a teenager, but the one that sticks out the most to me is The Handmaid’s Tale by Margaret Atwood (which is referenced in Saving June). I had to read it for an assignment during my senior year of high school, and it affected me deeply—I think it was the first book to ever make me really cry. I was torn between devouring it all at once and trying to stretch it out as long as possible. When I finished, I spent about ten minutes just sitting there trying to absorb it, and then immediately flipped back to the first page and read it all over again.


Great answers!!! Thanks for joining us today, Hannah!

Be sure to check out SAVING JUNE by Hannah Harrington when it releases next week on November 22nd!

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Road Trip Wednesday is a "Blog Carnival," where YA Highway's contributors post a weekly writing- or reading-related question that begs to be answered. In the comments, you can hop from destination to destination and get everybody's unique take on the topic.


We'd love for you to participate! Just answer the prompt on your own blog and leave a link -- or, if you prefer, you can include your answer in the comments.


This week's topic:
In high school, teens are made to read the classics - Shakespeare, Hawthorne, Bronte, Dickens - but there are a lot of books out there never taught in schools. So if you had the power to change school curriculums, which books would you be sure high school students were required to read?

Road Trip Song of the Week:
"Billy S" - Skye Sweetnam


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