YA Highway

nomadic novelists celebrate fiction's most exciting age group: young adult

Welcome to our 94th Road Trip Wednesday!

Road Trip Wednesday is a ‘Blog Carnival,’ where YA Highway's contributors post a weekly writing- or reading-related question that begs to be answered. In the comments, you can hop from destination to destination and get everybody's unique take on the topic.

We'd love for you to participate! Just answer the prompt on your own blog and leave a link - or, if you prefer, you can include your answer in the comments.

This Week's Topic:
What's the best book you've read in August?

Road Trip Song of the Week:
"Summer in the City" by Regina Spektor

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Writing can be a lonely, alienating endeavor, with hours spent only in the company of the characters bickering in your head. Arranging to meet up with a writing buddy and having an in-person co-writing session is a great way to change things up and keep your creative energy at its peak.

But there are some key things that will keep the writing session from devolving into a chatterfest, or blowing up into a debate over the musical taste of the coffeeshop staff.



Find the right partner(s).  There is more to being a writing partner than just showing up with your Macbook. You are getting more involved in your own writing process, and investing in the other person's writing as well. Be sure that the person, or people, you choose to write with share similar goals as you, have work ethics that jive with your own, and hope to get the same things out of an in-person co-writing session. Most important is to be respectful of your writing partner. Be on time. Tell them you appreciate their help. Communicate with them frequently, checking in on their progress even if you aren't meeting with them to write in the near future.


Choose an appropriate place to write. The library, a coffee shop, your kitchen counter---it doesn't really matter where you write, as long as it's:
  • Quiet. It can still be a crowded coffee shop, if you're both comfortable with that, but it's best not to schedule a session at the soccer field or, you know, a monster truck rally.
  • Spacious. Not abandoned warehouse big, but with tables or bar seating set up and plenty of space for any and all writing tools: your notes, laptops, coffees, and pastries. It also needs to have outlets for those using a laptop.
  • Convenient. Don't be that person who suggests a place two blocks from your house when the other person has to drive across town. Or at least switch off convenience so that both parties are putting equal effort into the partnership.

Set Goals. When you meet up with your writing partner(s), don't just say, "Yeah, I'd love to get some words in today." (Hopefully that goes without saying!) Make goals, be specific, and share those goals with your partner before you start. That way, when your attention wanders to the man making a fuss because his extra-hot non-fat three pumps cinnamon chai latte isn't foamy enough, you can say, "Hey! This isn't how I'm going to get to 2,000 words!" Which is more motivating than, "Hey! Some indeterminate number of words needs my attention, sort of, unless the 10 words I already wrote count for today!" Then, before the writing session is over, share your progress with your partner. The two of you are there to make each other accountable. Use that.


Keep Chitchat to a Minimum. If you want to get together and just talk about books, writing methods, revisions, the questionable-at-best Mortal Instruments casting decisions*, then set up a lunch or a dinner. Writing time needs to be writing time. Respect that.

Limit Social Media. You set up an in-person write-a-thon for a reason, right? To be social (kinda)? Well then if you talk to someone, make it's the person you're writing with and not the entire rest of the internet. It's like going to a fancy dinner and staring at your iPhone the whole time---it defeats the purpose! Having an in-person writing session is supposed to not only help you as a writer, it's to motivate everyone involved to develop better focus and work harder. If you wanted to tweet each other you could have stayed at home, where the coffee is free.


Finally, and most importantly, Celebrate together. When your partner reaches their goals (during writing time, and on a larger scale in the writing process) celebrate with them, and be genuinely happy for them. After all, you had a hand in their success---whenever they achieve something, so do you!

* I mean really. This guy?



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First Lines Contest Voting

Last week, we posted a first lines contest with really awesome prizes, and so, so many of you entered your amazing first lines. So many of you, in fact, that we realized there was no way we could list them all here for you guys to vote on. So we narrowed it down to fifteen (the rest were so great, too, we promise! But we really had to do it.) and we're listing them here, anonymously, for voting! So pick your favorite and vote (only once, please). We'll leave voting open until midnight PST on Sunday, September 3. If you can't see the voting form below, you might need to click out of your blog reader. Good luck, entrants!

 
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Spin offs are a tricky thing. When done well, they can add great insight and new layers to a world the author created in a previous work. When done badly they can ruin a reader's perception of the characters they'd loved in the original work.


Richelle Mead's Bloodlines, the first book in a series that spins off of her popular Vampire Academy books, is definitely the former.

I'll be honest. I was hesitant to read Vampire Academy. In a slew of vampire books, I just felt a little burnt out. But some friends convinced me that the books were worth while, and when I started reading the series, I couldn't stop. I devoured them in just a few days last year. So, when I learned that Mead was writing a spin off series featuring Adrian, my favorite character from the Vampire Academy books, I was instantly intrigued.

Bloodlines picks up where the final Vampire Academy novel, Last Sacrifice, left us last December. But instead of seeing the story through the eyes of spunky, sassy Rose Hathaway, we're instead presented with Sydney Sage, a recurring character from the original series, who has just been given a new assignment: protect the vampire queen's sister, Jill.

Through Sydney's eyes, we get to see a new side of the world we were presented with in the Vampire Academy novels, but instead of Moroi (good vampires) politics, we're given the chance to see into the lives of Alchemists, a group whose purpose it is to protect humans from vampires. The Alchemists believe that vampires are all abominations, beliefs perpetuated by their religion. Mead does a good job of making these beliefs sympathetic and understandable, even if the reader knows (from knowing characters in previous books) that this attitude is unfair. My only complaint is that she didn't explore Sydney's religion, which is vaguely referenced multiple times, as deeply as she could have. This, of course, may come in later books, but it would have been interesting to see religion come into play more since a lot of YA books leave it out all together.

The Alchemists believe that all vampires - good or bad - are abominations, but they also know that to keep the vampire race in order, Moroi government must be upheld. Which is why Sydney is assigned to protect Jill, sister of the new vampire queen. In order to stay on the throne, the queen must have at least one living relative, and Jill is that only relative. After an attack on her life, Jill is sent into hiding, and Sydney is assigned to go with her. They are sent Palm Springs, California (a place most vampires avoid) to attend a prestigious boarding school. Admittedly, this plot point had me raising an eyebrow. But Mead pulls it off in a believable, logical way that doesn't feel at all like Gossip Girl with vampires, the way I worried it might. Instead, the school and the town both felt very realistic and not over-glamorized.

Sydney isn't the only one keeping an eye on Jill. Eddie, Jill's guardian, also enrolls at the school, and Adrian, another vampire and close friend of Jill's, is staying nearby. This is the part of the book I was waiting for. One of my favorite parts of Vampire Academy was the character of Adrian, and I was eager to see where this snarky, tortured character went in the new series. I wasn't disappointed. Adrian is still snarky, still wounded, still flawed beyond belief, and still one of the best written characters in YA. It was nice to see him grow and shed a few layers in this book, but still remain true to the Adrian I knew and loved from the original series.

Bloodlines featured several great mysteries that kept the pages turning. Those hoping for romance might be a tad disappointed, though. Mead doesn't rush her characters into insta-love. Instead, she appears to be taking it slow. Bloodlines is far more about the action and adventure these characters get into than about their love lives. It falls more into the category of "urban fantasy" than "paranormal romance," though I'm sure there will eventually be a love story in the series. Personally, I found this delightful. It's a nice change from many of the books in it's genre at the moment, and it felt far more natural and authentic for the characters.

The writing is occasionally clunky and awkward, and those looking for perfect prose might find themselves getting frustrated, but what Mead may lack in syntax she more than makes up for in character development. Just as in Vampire Academy, all the characters in Bloodlines shine - the good guys and the bad. They're complicated, unique, and totally believable. Especially Adrian, but I think I've said that before, haven't I?

Fans of the Vampire Academy series will absolutely devour Bloodlines, and if you haven't read the read the original series, I suggest you do right away! Because if Bloodlines is any indication, this new spin off series has the potential to be even better than the first.




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On Being a Role Model

For some reason, my school thinks I’m a good role model. To the point that they’ve actually hired me to be a role model. I’m signed up as a coach for a young women’s conference, which means that they want me to, you know, tell girls what to do with their lives.


It’s kind of horrifying when you think about it. How on earth can I be a role model? I’m twenty-one. I giggle at “your mom” jokes. I like candy more than vegetables. Sometimes I read with a flashlight or candles just because I think it’s cool. How can I be a role model for girls only a few years younger than me?


I feel like this is a conundrum for YA authors as well. Librarians and parents tell us that our books touch the lives of our readers, that we have a responsibility to write novels that build up teenagers instead of tearing them down. We are role models, too.


And I agree with this – but at the same time, I don’t. Because we are role models; but I don’t think it’s the content of our books that gives us that responsibility. It’s the fact that we write books at all. It’s the fact that we are proponents of literature in a world that so often places more emphasis on superficial pursuits.


As a writer – someone who is dedicating your life to a hobby that involves hard work and ambition and intelligence – you are a good role model for your teen readers. It doesn’t matter whether you’re working on the next Hunger Games or a quiet, sensitive issue novel; your book matters. Your writing matters. And your readers will notice.


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THE BIG NEWS THIS WEEK

7% of 2010 YA covers were pink An article in the New York Times claims, among other things, that boys don't read because children's literature is
"fueled by talented young female novelists fresh from M.F.A. programs who in earlier times would have been writing midlist adult fiction. Their novels are bought by female editors, stocked by female librarians and taught by female teachers. It’s a cliché but mostly true that while teenage girls will read books about boys, teenage boys will rarely read books with predominately female characters."
As you might imagine, the YA community had a few things to say in response. The Rejectionist asks, "Can we just pony up for once and admit, collectively, that the problem is a culture that raises boys to be sociopaths?" Aja Romano does an admirable job of taking the NYT article apart piece by piece using actual *gasp* statistics and citations! Saundra Mitchell points out that the problem is not the books, and goes on to explain why the problem is not the books; Novel Novice disagrees with her and thinks we should get boys reading no matter what. My own not-so-scientific look at the "girliness" of YA covers was actually posted a few days before all this discussion, but disagrees with the "no matter what" contention, and finds only a little over half of covers are conceivably off-putting in the first place.

Meanwhile the Boys Don't Read blog has a funny "view from the bleachers," followed by a great post about finding "a book that’s great, not because it was for girls or boys, but because it nailed what it means to struggle. To love. To fail. To win."


THIS WEEK IN WRITING

chocolate is a square meal - Author Sara Zarr explains why writing is hard and how chocolate can help.

- Daily Writing Tips ponders whether "they" is acceptable as a singular pronoun.

- According to our girls Quita and Pam, MFA stands for "Mutha Bleepin' Awesome!"

- Our friend Cory Jackson is doing a series on lessons learned, including this great post on "moxie" from Kathleen Peacock.

- Author AJ Larrieu graphs her brain on revisions.

- Great posts from some YA Highway contributors: Stephanie Kuehn on the importance of playtime, to us and to our characters; Sumayyah Daud on "Shifting Expectations;" and Phoebe North on authors offering explanations after the book is out.

scrivener screenshot - Another immensely helpful Scrivener post: How Justine Larbalestier wrote Liar using the program.

- Author Gretchen McNeil says that diversity is in the eye of the beholder.

- Two signs of overwriting and why it's a problem, from agent Mary Kole.

- Write It Sideways is doing a series of 101 best writing tips.

- Author Beth Revis has a deep dark secret: She likes book reviews. Especially the bad ones.

- "It’s just… quiet.  Which must be what it is like for the rest of the world, for the muggles who are better at parties and schedules and wardrobes than I am." Barbara O'Neal on taking care of "the girls in the basement."


THIS WEEK IN READING

goodreads ratings - Lots of talk about stars on Goodreads this week, starting with a comment author Victoria Schwab made on Twitter about Goodreads allowing books to be rated before ARCs are out (or even before manuscripts exist, in some cases). The ladies at Adventures in Children's Publishing ran with it; Victoria posted about it and entertained debate in the comments, then posted her final thoughts on the issue. Bookalicious Pam has a funny open letter to Goodreads about it, and someone in her comments linked to a discussion last year on the site itself.

- Cool infographic of the books President Obama has read during his term, over at The Daily Beast.

- Foreign Policy looks at "the long process of reconciliation and reform" in a post-Potter conflict world.

- Nominations are open for YALSA's Best Fiction for Young Adults and Morris Awards.

- Haruki Murakami books pulled from New Jersey reading list because of gay sex scenes.

- Apparently you can mess with Texas: TDOT issues restraining order over romance title and loses.

- The science of how a book changes your life.

- Sci fi fans! Check out Intergalactic Academy, uniting readers of young adult science fiction across seven solar systems.


THIS WEEK IN PUBLISHING

singing book - BookTrack will publish e-books with their own soundtracks.

- Agent Jennifer Laughran helps you avoid scammers and explains what happens when your agent can't sell your book.

- Jane Lebak at QueryTracker has a safer way to get yourself noticed by agents.

- Why you might not want that big advance, from agent Rachelle Gardner.

- Chuck Sambuchino gives the pros and cons of signing with a new agent.

- Six overlooked querying steps, courtesy of author Sarah Ockler.

- Agent Sarah LaPolla suggests you reconsider saying you've done these things in your query.

- Love this post: Author Betsy Cornwell on how signing with her agent didn't instantly make her cool.

- How much do book designers earn?

- Simon & Schuster signs deal to handle distribution of self-published author's books.

- Real life rejections: From editors, at Rachelle Gardner's blog, and from agents, at Kate Testerman's blog.


THIS WEEK IN MARKETING

sorry card - Author Steph Bowe has advice on dealing with people for the socially awkward.

- 12 essentials for an author's website, from Bryan Thomas Schmidt.

- Less is more: The Guardian wonders if Pottermore is overload for fans; The Wall has an infographic showing how many tweets and Facebook updates are too many; ProBlogger talks about the minimum effective dose of social media.

- Chuck Wendig has a great list of 25 things authors should know about social media.


THIS WEEK IN OTHER STUFF

slave leias - Seriously, what's up with all the Slave Leias? Geek girls and the problem of self-objectification, at Geek Feminism. Semi-related: Great post at Feministe on the importance of movie casting in breaking stereotypes.

- FIRST LOOK at the Hunger Games trailer, this Sunday at the MTV Video Music Awards!

- The movie version of Stephenie Meyer's The Host has a release date!

- Universal pulls the plug on Wicked Lovely movie; producers searching for new home. (Fingers crossed!)

- How mobile technology is changing kids' brains, and how to harness that change for good, at Salon.

- Love this story of taking real action against bullies: "Photographer Refuses to Shoot People Who Are Too Ugly (On The Inside)."

- Emily St. John Mandel has five things never to ask at a bookstore reading.

- Need new music to write to? Check out authors' playlists on Spotify, look for them on Rhapsody's new social sharing, or check out lists like this one, sent to us by Some Screaming Fangirl.

- Tech stuff: Keep an eye out for big changes to Facebook's privacy settings, likely inspired by the features of Google+; Steve Jobs resigns as CEO of Apple.

- What JRR Tolkien said to the Nazis when they asked if he was Jewish (via @smartbitches).

- The US Attorney General looks to break the "school-to-prison" pipeline, starting with Texas.

- Grammar fail on Old Navy's college t-shirts.

- The 2015 Mindset List is out, including facts about freshman starting college this month (like our member Emilia Plater!!) like, in their lifetimes, "The Communist Party has never been the official political party in Russia," "Music has always been available via free downloads," and "Life has always been like a box of chocolates."


THIS WEEK IN CONTESTS

- Flash Paranormal Fiction is looking for scary stories to post every day in October.

- Shannon Whitney Messenger is giving away ARCs of  Crossed, Shatter Me, The Scorpio Races, and Perfect.

- Tayrn Albright is giving away an audio book of The Fox Inheritance!

- Ara Grigorian is giving away signed copies of Plot and Structure and Art of War for Writers!

- Happy blogaversary to Jessica Love! She's celebrating with signed copies of Speak and Beauty Queens, plus a pre-order of Lola and the Boy Next Door!

THIS WEEK IN THE RANDOM

pandas don't care Animals at the Smithsonian National Zoo reacted to this week's East Coast earthquake before the earthquake happened (except for the giant pandas, who, like the honey badger, appear to just not give a $hit).





xkcd earthquake v twitter

Test your vocab

bear in hat The Triumph and Tragedy of Lisa Frank (teddy bears don't wear top hats!).

Seventeen's most memorable covers featuring stars before they were stars



Funny endcap via @rachellegardner
hand book covers

life plans


Dr. Seuss vs Shakespeare: Epic Rap Battle [possibly NSFW]



Have a great weekend!
~ Kate Hart



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Great News For One Of Our Own!

We at YA Highway are very excited for our lovely contributer, Lee Bross! Her book deal, under a pen name, was announced today on Publisher's Marketplace:

Debut author Lanie Bross's FATES, the story of an Executor sent to earth to bring about human destinies, who finds herself unaccountably experiencing human emotions, leading to an epic romance set across multiple worlds, to Wendy Loggia at Delacorte, in a significant deal, in a pre-empt, in a two-book deal, by Stephen Barbara at Foundry Literary + Media, on behalf of Paper Lantern Lit.
It sounds awesome, right? Congratulations, Lee! 



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First lines are very important. (Okay, I sort of wasted that one, but I'm talking about books, not blog posts) Most are forgettable, even if they're decent. Some, however, latch on and linger the whole time you're reading -- even sticking around long after you've finished the book.

In celebration of first lines, we've decided to hold a first lines contest here on YA Highway!  Entry and prize information (ARCs! ARCs! ARCs!) is at the bottom of this post. And don't worry -- if you show us yours, we know it's only fair that we show you some of ours...

"It’s kind of hard to miss her, all covered in crows like that."
Refuge, Kate Hart's WIP

'He comes down the road in his Camaro, sliding left to right on the freshly oiled gravel and skidding to a stop in front of my house."
Will and Zoe by Kristin Halbrook

"There is one mirror in my house."
Divergent by Veronica Roth

"Daddy said it was my duty to look nice for Momma's funeral, that wearing white would be a mitzvah."
Daughter of Earth, Phoebe North's WIP

"The irony did not escape me."
My Zero-Sum Mind, Stephanie Kuehn's WIP

"The winds in Washokey make people go crazy."
Like Mandarin by Kirsten Hubbard

"Soldiers are here."
Winterbound, Kaitlin Ward's WIP

"There is nothing more humiliating than being topless in the backseat of your boyfriend’s car when someone decides to throw an egg at the windshield."
Shut Out by Kody Keplinger

"The first thing I see as we pass the dusty “Welcome to Texas” sign is an armadillo plodding along the highway."
Reliance, Sarah Enni's WIP

"Trust me, this is going to be great."
Chasing Secrets, Lee Bross's WIP

"Ansel was perplexed."
The Shutter Society, Michelle Schusterman's WIP

TO ENTER:
Fill out the form at the bottom of this post by midnight PST on Saturday, August 27th. (When time comes to vote, the authors of the first lines will be anonymous; however, we'll name the winners, and if you want, you can share which line was yours in the comments of that post.) Voting will begin on Monday, August 29th.

Note: You must be a follower to enter, and you can only enter once.
US/Canada only. (sorry!)


PRIZES OMG PRIZES:
We'll award two ARCs each to three winners. The first place winner will get first choice, and the second place winner second choice, from these fabulous books:


The Unbecoming of Mara Dyer by Michelle Hodkin
(first line: "my name is not Mara Dyer but my lawyer told me I had to choose something.")

You Against Me by Jenny Downham
(first line: "Mikey couldn't believe his life.")

Glow by Amy Kathleen Ryan
(first line: "The other ship hung in the sky like a pendant, silver in the either light cast by the nebula.")


iBoy by Kevin Brooks
(first line: "The mobile phone that shattered my skull was a 32GB iPhone 3GS.")

Shatter Me by Tahereh Mafi
(first line: "I've been locked up for 264 days.")

Nocturne by Christine Johnson
(first line: "Claire's human form offered no protection from the chill in the moonlit clearing.")

Good luck!



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Road Trip Wednesday #93: Writer's Block

Welcome to our 93th Road Trip Wednesday!

Road Trip Wednesday is a ‘Blog Carnival,’ where YA Highway's contributors post a weekly writing- or reading-related question and answer it on our own blogs. You can hop from destination to destination and get everybody's unique take on the topic.

We'd love for you to participate! Just answer the prompt on your own blog and leave a link in the comments - or, if you prefer, you can include your answer in the comments.






This Week's Topic:
How do you beat writer's block?
Do you go for a jog? Read a book? Go to a movie? Come on, share your secret - we're dying to know!






Road Trip Song of the Week:
Hit Me With Your Best Shot" by Pat Benatar

Next week’s topic:
Best book of the month

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YA Highway is excited to be part of the Teen Book Scene blog tour for THE REVENANT by Sonia Gensler!

About THE REVENANT:

When Willie arrives in Indian Territory, she knows only one thing: no one can find out who she really is. To escape a home she doesn't belong in anymore, she assumes the name of a former classmate and accepts a teaching job at the Cherokee Female Seminary.

Nothing prepares her for what she finds there. Her pupils are the daughters of the Cherokee elite—educated and more wealthy than she, and the school is cloaked in mystery. A student drowned in the river last year, and the girls whisper that she was killed by a jealous lover. Willie's room is the very room the dead girl slept in. The students say her spirit haunts it.

Willie doesn't believe in ghosts, but when strange things start happening at the school, she isn't sure anymore. She's also not sure what to make of a boy from the nearby boys' school who has taken an interest in her—his past is cloaked in secrets. Soon, even she has to admit that the revenant may be trying to tell her something. . .


And now a few questions with Sonia Gensler!


What first drew you to the gothic genre?

It probably started back in college when I took a Gothic literature course. I loved the themes and iconography of Gothic -- crumbling castles, dark forests, brooding heroes (& villains) with dark secrets, maidens in distress, etc. It was all wonderfully over-the-top. These days I prefer my Gothic to be a tad subtler and much more character-driven.

Do you believe in ghosts?

I mostly love their story potential. Spirits and ghosts fascinate me, and I think they always will. I’m definitely open to the possibility of their existence, but I don’t really have enough personal experience to say that I believe without a doubt. Even if someone proved they didn’t exist, I’d still love stories about them.

Have you ever wanted to take on another identity, as Willie does?

I've fantasized about it, but I'm not brazen enough to see it through like Willie. She really makes a mess of things, but I have to admire her for undertaking such a daring scheme.

How much did you draw on your own experiences as a high school teacher in writing about Willie?

I drew on early experiences -- particularly the awkward ones! No matter how much training and experience you gain in your certification program, the first year of teaching is full of panic moments. "What do I do?" "How am I supposed to grade this?" "How do I bend these kids to my will?" Heh.

Writing a convincing story set in Cherokee territory in the 1890s clearly took a LOT of research! Tell us about your research process.

There were many stops along my research road, so to speak. First I read Devon Mihesuah’s Cultivating the Rosebuds: The Education of Women at the Cherokee Female Seminary, 1851-1909. Then I visited the Oklahoma Historical Society and the Northeastern State University Archives. At the historical society, I found a collection of oral histories entitled Cherokee Female Seminary Years, edited by Maggie Culver Fry. The two books, along with the photographs, school catalogs, architectural plans, and other data obtained from the archives, gave me a pretty clear background on the history of the town and seminaries. Once I had a draft, I arranged to meet with Dr. Richard Allen, former English teacher and current policy analyst for the Cherokee Nation. He kindly agreed to read the manuscript and offered valuable insights on historical context and characterization.

What was the most surprising thing you learnt while researching THE REVENANT?

The most surprising thing might have been the diversity in the student population. From the start, the school accepted students with as little as 1/128 Cherokee blood. (I am 1/64, so I could have qualified by blood quantum.) Once the school began to accept rural and indigent children in the 1880s, the student body became quite socioeconomically diverse. For story purposes, all this translated into conflict and a potential for growth among the characters.

Did you do a lot of planning in writing THE REVENANT, or did you discover the story along the way?

I did a lot of planning and outlining. This was before I had Scrivener, so I mapped out scenes on note cards and arranged them on the floor. (I’ve never been one to have a tidy office.) Once I started drafting, however, I often diverged from the outline. The main thing for me is to have a plan for where I’m going, even if I don’t rigidly stick to it.

What was your favourite scene to write in THE REVENANT?

Hmmm . . . not sure I can pick just one. I loved writing the romantic scenes. (Yes, I have a crush on my own leading man.) I also had a great time writing the first séance scene. Actually, all of the Willie and Olivia scenes were a pleasure to write.

What were your biggest challenges in writing THE REVENANT?

Drafting is always the hardest part for me in any project. The blank page can be terrifying.

Story-wise, the biggest challenge was balancing character development and plot pacing. Research-wise, there was the constant concern of accurately and sensitively portraying the Cherokee community in that place and time.

Is there anything about the publishing process you wish you could have known beforehand?

This is a tough one. In some ways, I'm glad I didn't know much. I'd like to return to that innocence. :)

However, it might have been helpful had someone reminded me that the waiting, wondering, and nail-biting never really end. There's never going to be a moment when you sit back with a contented sigh and think, "I've made it. I'm totally set." I'm just a beginner in this game, but I'm starting to grasp that it's about the ongoing process rather than a specific end result.

What advice do you have for aspiring writers?

Never stop reading. Never stop learning about the craft. Have fun with it. Write what you would love to read. Don't compare your writing journey to that of others. (I confess to struggling quite a bit with the last one.)



Five real fast:

If you could only live off one food, what would it be? Bread. I'm addicted to it. Carbs will be my downfall.

Cats or dogs? Cats! I admire their powerful sense of self-worth. And their sweet, fuzzy faces.

Your house is on fire and you can only rescue one thing. What do you save? My cat, of course. :)

Best book you've read recently? CHIME, by Frannie Billingsley. Man, she's talented!

If you could travel anywhere in the world right now, where would you go? Right now I'd probably go to Iceland because it's So. Freaking. Hot. in Oklahoma. I long for sweater and boot weather!


Want to learn more? Check out Sonia Gensler's website, twitter and blog!

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The Eiffel Tower, after 10PM :)
You know that sinking feeling in your stomach when something goes wrong, and there are no clear solutions? What about that awesome feeling when - against all odds - everything turns out okay? (More than okay?)

Backpacking western Europe for three weeks, from mid-July to early-this month, was a seriously amazing and unlike-anything-else experience. From London to Rome, my BFF/travel partner and I took a lot of rides on the aforementioned Feelings Rollercoaster. We dealed with issues we couldn't have predicted, and we saw beauty we couldn't have imagined. I came home with the sense that I had inadvertently learned a few things - not just about traveling and myself, but about writing.

It's easy to apply travel lessons to story-writing, maybe because the two activities are so similar. Just like traveling, writing takes you into another world, one where you don't know exactly what's going on, but are always hoping for the best. To use two cheesy expressions, both writing and traveling expand the mind and help you see things from a different perspective.

So what were these double-applicable lessons? I'm super happy to share!

Outside the Peggy Guggenheim Museum in Venice! :)
#1: No expectations are great expectations. When you're about to commit a large amount of time to something, it's easy to fall into the trap of envisioning it going perfectly, down to the very last on-time plane arrival - or perfectly wrapped-up plotline. But stuff happens, whether it's a transportation delay or a surprise plot hole. And when it's your first trip someplace, or your first draft, it's easy to imagine how the story will go. But it could end up being way different... and not in a bad way. Keeping flexible and open to changes, or plain old surprises, is key to having a good trip and to writing a good story.

#2: Negative thoughts? Kick 'em into the Seine! Arriving in Paris, the BFF and I were met with clouds, rain, and cold. It mostly stayed that way for the four days we were there. But you know what? It wasn't that bad. It would have been easy to spend the whole time complaining and wishing it were sunny. But we were in Paris - and traveling there was awesome, cold rain or not. It's good to think of writing in the same way. Even when problems arise - even when it seems like the clouds will never part over your story - remembering how wonderful it is just to be writing can mean the difference between existential despair and a finished draft.

The beautiful streets of Nice!
Or to put it another way: would it have been better to be at home (AKA not writing), where it was sunny, than in cold and rainy Paris? No way, dude! When you're trying to travel/write, negative thoughts in general don't have much use. So it's best to kick 'em to the curb.

Rome's tiny cars FTW.
#3: Fearing mistakes = a mistake. This ties in with #1 and #2. In both writing and traveling, making mistakes is inevitable. After years and years of experience, maybe it's possible to pull off a book/trip without a hitch - maybe. But when it comes down to it, these are two messy activities, and worrying intensely about possible mishaps or roadblocks is like worrying about gaining weight at an all-you-can-eat candy buffet: it's going to ruin the experience.

Is it good to take precaution? Definitely. Pre-planning, outlines, rough drafts, travel insurance, safety gear: these are all things meant to stop mistakes from occurring, or at least from having long-term consequences. But mistakes themselves aren't bad, and it's no use avoiding them like they're death traps. You can always recover (i.e.: by thanking the stars your travel partner had an extra copy of your train ticket) and walk away having gained important knowledge (i.e.: don't leave train tickets on hostel beds). And gaining important knowledge is part of what traveling and writing are all about!

Well, that's it for writing lessons learned while backpacking Europe. The trip really was incredible - I wish every single one of you had been there with me. And I can't wait to go on another one... and possibly learn a few more things! :) Bon journée, everyone, and ciao for now!
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This image has nothing to do with this post, but it's long and I thought it could use some attractive men with kitties.

Short stories are a great way to exercise your writerly brain without having to dedicate months to getting a draft out. Plot, conflict, characters—they're all there, and all in a span of less than ten thousand words! But it can be a little rough to figure out what to do with them when you're finished. You can post them to your blog, of course, or share them with friends—or you can pursue publication of your short stories, and maybe even get paid! Since submission can be a scary (and because I have years of short story rejections under my belt—really, you should see my spreadsheet), I've put together this brief guide to help you get started.

1. Write!

The first step to reaching short story publishing nirvana is to let go of all desire write your story. The thing to remember about short stories is that they're short (duh). A reader should be able to tackle your story in a sitting. More, if you're writing for publication, you really want to aim for a wordcount of less than 5,000 words. That's the most common cap at various print and internet venues for short story submissions. Remember to include all the good stuff that you usually would put in your fiction: interesting, well-drawn characters; intruiging conflict; a well-paced plot. A short story should have all the stuff that good fiction always does, just less of it.

2. Revise!

Probably just as important as writing. Share your stories with trusted readers and revise based on their feedback. Don't forget to proofread your story.

3. Format!

Now it's time to format your story for publication. Many magazines and venues prefer to receive submissions in what's called "standard manuscript format"—10 point Courier font or 12 point Times New Roman, double spaced, ragged right margins. The wordcount of your story goes in the upper right hand corner (round to the nearest hundred words); on the first page, at the top, add your contact information: name, address, email address, and phone number. There are actually quite a few other idiosyncrasies of Standard Manuscript Format, depending on how much of a stickler you are for following protocol. This link at Brad R. Torgersen's blog provides a good rundown.

4. Research!

Now it's time to research markets. Just like how you might rely on AgentQuery or QueryTracker to research agents, there are sites that specializes in housing information about short story venues. Duotrope is probably the most well-known. Using their dropdown menus, you can search for specific genres, wordcounts, or pay rates. Be sure to check off that you only want to see markets open for submission, which will help you whittle down your options.

If you write science fiction, fantasy, or horror, another great resource is Ralan's Webstravaganza. This site lists genre markets according to pay rate (from pro rates to "for the love" magazines that don't pay), and details information about response times and wordcount guidelines. Useful stuff! I'd recommend beginning with top paying markets and working your way down. Even if chances are slim that you'll get your story in Asimov's, it can't really hurt to try—especially since submitting doesn't cost you anything!

Unfortunately, neither of these sites allow you to filter for venues that specialize in YA fiction. For YA markets, a good resource is the Word Crushes blog, which specializes in markets for teens and tweens. There, you'll find editor interviews and market information. While the site is helpful, it isn't exhaustive. There are a few notable criminals missing, like Scape, a fairly new venue specializing in science fiction for teens. Keep in mind that many venues that don't specialize in young adult fiction still feature stories with what I'd consider a "YA feel"—like this terrific short story by Nick Poniatowski at Strange Horizons.

After you've compiled a list of markets, it's time to take a closer look at each one. Read a few stories to get a feel for the editor's tastes. If you can find interviews with the editors or slush readers, give them a skim. Many venues have blogs featuring topics of interest to submitting writers, like this one at Shimmer. If you're an organized type, this might be the time to get out a spreadsheet and start plugging in notes; speaking from experience, it's nice to have one ready for later, when you have a long list of rejections and need to figure out where to send that story next.


5. Read the submission guidelines!

After you've chosen an appropriate venue for your story, it's time to carefully read over the submission guidelines. As is the case for agents, magazines can be pretty specific in their rules for submitting—sometimes right down to file names! Many magazines will specify that they don't want "multiple submissions" (so send only one story at a time) or "simultaneous submissions" (so don't send your story out to two magazines at once). I recommend that you follow these guidelines—rather than blanketing every venue in your genre with your story, it's much better to send single, targeted submissions, if only because it gives you a chance to revise in between.

6. Put a bird cover on it!

You should always include a cover letter with your short story submissions unless the magazine's submission guidelines explicitly state otherwise. Sometimes they'll indicate the kind of information they want there, but, in contrast to query letters, even when they don't, short story cover letters are easy peasy. For one thing, they tend to be really short; for another, you don't have to worry about summarizing your story. That's right—with short fiction, your writing speaks for itself. In my cover letters, I only mention the name and wordcount of my story, along with a very brief bio. And that's it.

Here's what it usually looks like:
Dear (Name of Editor):

I'm writing to submit my short story, "Name of Story" (number of words), to Name of Venue. It's attached in .doc format, as per your submission guidelines.

I'm a 2009 graduate of the University of Florida's MFA program in poetry. An Articles Editor for Strange Horizons, my fiction has appeared, or is forthcoming, in Aoife's Kiss and Spaceports & Spidersilk. I blog at www.phoebenorth.com.

Thanks for your time!
Phoebe North

If you don't have any writing credits, don't stress out about it. Mentioning your undergraduate degree ("I have a BA in Underwater Basketweaving from State U") or even just where you live ("I live in New York State with many cats") is fine, too. Just don't make it too long—my three sentences are probably pushing the upper limit.

7. Send it in!

If you're sure you've followed all the guidelines, and your story is clean and professionally formatted, and you've got a nice, brief cover letter, then it's time to send that puppy out! Update your spreadsheet, and then wait. And wait. And . . .

8. Success (or not)!

I'm going to be frank: you're probably going to get quite a few rejections. The first one stings a bit. Commiserate to your loved ones, drink something soothing, and comfort yourself with the fact that everyone gets rejected. Really. It happens to all of us (*cough*).

Most of your rejections will be form rejections. But sometimes you'll get lucky—an editor or reader will include a note of encouragement or even a brief word about why it didn't work for them ("character didn't grab"). Awesome! Remember that even editor opinions are subjective, but if you're getting a lot of rejections all suggesting the same thing, it might be time to revise your story again before sending it out to a new market.

Of course, sometimes you'll get really lucky, and a magazine will want to print your writing! Awesome! Yay! Go you! Do a little dance! You've done it!

9. Get back on the submission train.

As with everything in writing, the most important trait in a short story writer isn't talent (though that helps) or luck (though that helps, too) or connections (don't hurt a bit), but persistence. Keep trying. It's hard work that leads to growth, and strong writing that leads to publication. Write your little butt off, and keep sending stuff out—someday you'll get there, promise.


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Talking About Your Writing


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This isn’t what I planned to blog about today. But it’s something that’s been on my mind, and an unrelated conversation among YA Highwayers made me think about it more.

Sometimes I think it’s really scary to own your writing. To own your genre and your style and everything about it. First of all, because to say “hey, I’m good at writing,” feels like an arrogant thing to say—even if it isn’t—and also because you don’t want to say it, and then have your friends beta for you and learn that they think your writing is godawful.

But not it’s not only hard in the general sense, but on a more specific level, too. You feel like if you tell other writers that you write big books with big plots and action and all the things that supposedly mean giant paychecks,* they will think you write books like that just in hopes of cashing in on a trend. Or if you tell them you write commercial, they’ll think you mean you don’t care about your prose. Or if you tell them you write literary, they’ll think you’re one of those people who sit in Starbucks  pretending to write while actually just proclaiming to everyone that you are writing a Very Important Novel.

But you know what? Forget all of that. We need big books and we need quiet books. We need literary and commercial and in-between. We need books that make us cry and books that make us laugh.
You’ve done the work, you’ve written a book. Published or not, it’s a huge accomplishment. Don’t downplay it. If it’s literary, tell people it’s literary. If it’s an epic dystopian where humans are being kept in pens by genetically engineered moose who’ve grown too smart, own it!

Writing is hard and it’s filled with insecurities; especially if you’re writing to be published, because you’re going to have a lot of people tell you it’s not good enough,** and that’s hard to hear. But the first step to overcoming those insecurities is to be proud of your writing, and not to belittle it when discussing it with others. Chances are, it, and you, are awesome.


*You guys all know this isn’t true, right? I mean, for a few it happens that way, but writing speculative fiction is no guarantee that you’re going to get a deal of this magnitude, and in fact, the odds are very much against it.
**This goes for everyone. Even those people who seem to get agents and then book deals in the blink of an eye still have to face book critics, reviewers and readers, who are often not nearly so tactful as agents or editors when explaining why they dislike something.




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THE BIG NEWS THIS WEEK

siriusly Sketchballs. Publish America promises to show your book to JK Rowling, for the low low price of $49-- the link was here but has since been taken down. JKR's people sent them a cease and desist letter. Publish America sent one back, pointing out that "you can't keep us from her house." Yes. This sounds like a solid marketing plan...

We're also giving the side eye to BlueInk Review: for a couple hundred dollars, they'll write a review that you can kill if it's not positive. Oooookay.


THIS WEEK IN WRITING

butt in chair - How to keep your butt in the chair, from Pimp My Novel.

- Write On Con had a ton of great information for writers this week. A few highlights:
- Your weekly dose of writing inspiration and encouragement comes in clean form from author Jessica Corra, and in profanity-laced hilarity from Chuck Wendig.

- Agent Sarah LaPolla tells you how to get an MFA in five not-so-easy steps.

- Need a beta reader? Check out Ladies Who Critique.

- Author Malinda Lo gives you a tremendously helpful tour of revising with Scrivener.

- Cockeyed Caravan has the ultimate story checklist.

- Author Janice Hardy explains how to describe your first-person narrator.

- Kids' authors take a bunch of the spots in this year's Top Earning Authors list at Forbes.

- Jane Friedman helps you find and apply for writing grants.

- Feeling angst-y over your title? Don't. Author Vonna Carter looks at titles that changed between book deal and release day.

- Author Kathleen Peacock takes a look at big screen writer characters and their wardrobes.


THIS WEEK IN READING

quijote - Book blogger Stephanie's "Quixotic quest" to save the Monstrumologist series succeeds! Her write in campaign convinced Simon & Schuster to reverse their decision to discontinue the series. Bookshelves of Doom has an interview with author Rick Yancey, and he also answers some questions in the comments.

- Authors, critics, and editors weigh in on "great books that aren't all that great," at Slate.

- Oh no! Spoilers! Don't worry: psychologists say spoilers will make you enjoy the story more.

- Not sure what to read next? Check out BookLamp, a "Pandora for books."

- The top ten books that influenced JRR Tolkien.

- Why you should read those hardbacks with the dust jacket off, from author Erin Bowman.

- Livia Blackburn reports on a study that shows reading about vampires will make you sparkly.

- YAtopia wants to know how you feel not about love triangles, but actual threesomes.


THIS WEEK IN PUBLISHING

decisions - The Intern tells the truth about fielding multiple agent offers.

- Writing a query? Agent Kathleen Ortiz has some pointers for you.

- Author Karen Witemeyer on surviving your first year as a published author.

- YA authors Tahereh Mafi, Cindy Pon, and Morgan Rice weigh in at the NYT on the future of publishing.

- John Scalzi and friends propose a new deal reporting system, starting with "Shitty" and ending with "I'm Buying the Next Round."

- Why agent Kate Testerman hates conference pitches.

- YES. Social networking works. (Can we please stop asking this question now?)


THIS WEEK IN OTHER STUFF

- HUGE congrats to YA Highway contributor Stephanie Kuehn, who is now agented by Michael Bourret of Dystel & Goderich Literary Management. Go Steph!

Pottermore screenshot - Publishers Weekly's sneak peak at Pottermore makes me want to cry for not getting beta access.

- You either love The Help or you hate it. Roxane Gay hates it.

- Author James Frey says, "I don't even write anymore. I let others do it." Well. La dee dah.

- One British Columbia library will soon start checking out people. And not like, hey baby, how you doin'. Like "meet with experts over coffee."

- English majors, do not despair. Celebrities have come from your ranks! (via Vicki Lame)

- Congrats to the newest YA Rebels!


THIS WEEK IN CONTESTS

- Stalking the Bookshelves is giving away a copy of Juliet Immortal!

- A Thousand Little Pages is giving away an ARC of Bloodlines!

- Very cool: Author Paul Joseph will give your nominated teacher ten new middle grade novels for his/her classroom library!

THIS WEEK IN THE RANDOM
I kind of failed at the random this week, but luckily Sarah, Michelle, and Kaitlin had my back. Thanks ladies!

World's best fliers making fun of other fliers (click the links for slideshows)
cats not cans

The best way to conceal alcohol in Facebook photos:
cats not cans

Ten Most Pissed Off Cats at Cat Fashion Show:
pissed off cat

Ten Cutest Sloth Moments:
sloths are freaking adorable

I like puns.
rowling in the deep

Have a great weekend!
~ Kate Hart







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