YA Highway

nomadic novelists celebrate fiction's most exciting age group: young adult

ALA Recap + Pics!

ALA was awesome! This, I'm sure you've heard -- in fact, you've probably jotted down next year's dates and location (Anaheim! 1.5 hours from me, hooray!) in your calendar already. Unless you attended this year, and beheld the awesomeness yourself. I hope we had the chance to meet.

Anyway, my number one ALA companion was the brilliant Kate Hart, as well as our extremely patient book sherpas husbands. Kate and I also got to hang with two of our new YA Highway Contributing Writers, Sarah Enni and Veronica Roth. We scooped up hordes of ARCs, waited in crazy long lines for signings and crawfish, ghost toured with a selection of the author/agent/editor A-list, sweated a whole lot, devoured pickled green beans, kept a low profile on Bourbon Street, and met so many writers, authors, librarians and book bloggers our heads spun around and around and around. One of the culminations for us was the Great Book Blogger Meetup we co-hosted with Stacked Books, which was a huge success. Hooray!

Now, on to the pics...

WE'RE HERE THAT'S RIGHT
me (Kirsten Hubbard) and Kate Hart waiting in line for this fabulous author you might have heard of
Me, the lovely Veronica Roth, and Kate
on Bourbon Street with a bouquet of awesome writers and authors! from left: Kiki Hamilton (The Faerie Ring), Courtney Allison Moulton (Angelfire), Leah Clifford (A Touch Mortal), Shannon Messenger, Lisa Desrochers (Personal Demons), Julie Cross (Tempest), Kari Olson, Kate Hart, Veronica Roth (Divergent), Kirsten Hubbard (Like Mandarin), Caorlina Valdez Miller, Sarah Enni, and Lindsey Roth Culli.
the epic tower of Shut Out (by our own Kody Keplinger)
with more brilliant writerly people: Michelle Hodkin (The Unbecoming of Mara Dyer), Jessica Martinez (Virtuosity), Elana Johnson (Possession), Shannon Messenger, Carolina Valdez Miller, me, Kate, Kari Olson, and Jessi Kirby (Moonglass)
Kate, Sarah Enni, me and Kelly Jensen from Stacked Books at the Great YA Book Blogger Meetup
More pics from the event:


Share/Save/Bookmark

Welcome to our 85th Road Trip Wednesday!

Road Trip Wednesday is a ‘Blog Carnival,’ where YA Highway's contributors post a weekly writing- or reading-related question that begs to be answered. In the comments, you can hop from destination to destination and get everybody's unique take on the topic.

We'd love for you to participate! Just answer the prompt on your own blog and leave a link - or, if you prefer, you can include your answer in the comments.

This Week's Topic:
(Back by popular demand!) What's the best book you've read this month?

Road Trip Song of the Week:
"June Hymn" by The Decemberists

Share/Save/Bookmark

We're thrilled to help promote Lisa Schroeder's newest novel, The Day Before, for her Teen Book Scene blog tour! We had the chance to ask Lisa several questions -- without realizing until we got the answers she had to answer with lines from the book. Which is in verse. IMPRESSIVE!

Here's a summary of The Day Before:

Amber’s life is spinning out of control. All she wants is to turn up the volume on her iPod until all of the demands of family and friends fade away. So she sneaks off to the beach to spend a day by herself.

Then Amber meets Cade. Their attraction is instant, and Amber can tell he’s also looking for an escape. Together they decide to share a perfect day: no pasts, no fears, no regrets.

The more time that Amber spends with Cade, the more she’s drawn to him. And the more she’s troubled by his darkness. Because Cade’s not just living in the now—he’s living each moment like it’s his last.


-Have you always written verse, or was there a point later in your writing at which you realized verse was your author voice?

Later.

…hard to imagine
they’d be replaced
by new ones.

-What do you find so important and intriguing about contemporary YA, especially when so many of the "big" books are not contemp?

It’s life.

Sweet, beautiful
wind on your face,
air in your lungs,
kisses on your lips
life.

-You write YA in verse, and MG in prose. How do those processes - writing style, age, genre, even marketing - create different demands of you as an author?

They’re about
being me,
loving life,
finding joy,
playing hard,
taking risks,
and who knows what else.

To plan it all
would take away from
the fun and excitement
of what’s to come.

-Your YAs focus on characters connecting on deep levels. What elements of these intense connections appeal to you the most?

More tears fall.

Because I want him to be okay
and I want me to be okay
but mostly I don’t want him
to forget me.

-In The Day Before, Amber heads to the beach to escape personal concerns. Where is your escape place?

Oftentimes
when I read a book,
I want to savor
each word,
each phrase,
loving the prose
so much
I don’t want it
to end.

-Also in The Day Before, two characters are doing what they can to experience the best day possible. What does the best day consist of for you?

there is nothing in this world
except me
and the rhythm
and the music
and the display of fists
telling me that right now
everything is exactly
how it should be.

-If there was one historic event you could know every detail and secret about, and could then write a book about it, what event would you choose?

Warm, brown eyes.
Dimple in his cheek.
Red lips, chapped from the wind.

Oh my gosh, that was hard! Thanks so much for having me on your blog, I appreciate it!

Thank YOU, Lisa!


Share/Save/Bookmark

Buildin' a Heart Bridge to Your Reader

The other day, I read something in an interview that struck me with the full force of a unicorn headbutt. (Now that's striking!) The interview was between anonymous advice blogger Sugar and the author of a recently published memoir titled The Chronology of Water, Lidia Yuknavitch. When asked about what she hoped her writing would achieve out in the world, Lydia had this to say:

What I hope my writing "does" has radically changed in the last few years. [...] Up until a few years ago, the truth is, everything I wrote was from a deeply alienated position. When I thought about a "reader," I thought pretty quickly after that, "**** you, reader. I don’t give a **** what you think about what I wrote ever." [...] Charming, huh?

But something happened in the last three years that literally obliterated the writer I was. Head, heart, body. And in the books I am writing now, to my astonishment, I imagined a reader with a tenderness and compassion I didn’t even know I had the ability to feel. I imagined making heart bridges to a reader — I imagined that even if this reader or that reader hated what I’d written, it was worth it to build the word bridge straight up to the flesh of their body. In case. In case, like me, they could admit that we want to love and be loved. In spite of it all. And that when we enter the room of “otherness” fully, mercifully, there are others with us.

So I guess I’m saying I hope my writing helps at least one reader feel less alone and more brave about leaning into whatever their own life figures for them.
As you can probably tell by my over-the-top bolding, it was the last paragraph of Lydia's answer that really got to me.

As a writer, it's tough to imagine your mystical ~reader~, let alone write for them. True, you can interact with potential readers on Twitter and Facebook, and you may even see them in your daily life. But it's still difficult to keep the concept of a general ~reader~ in mind--and to know, in your heart, what you want your book to achieve while in the hands of this person. What effect you want it to have on them. What use you want it to have for them.

Every reader is different--truly, wonderfully different. And every reader will interpret the lessons, the overt messages, of our stories differently. But with Lidia's help, I've realized that at the core of our writing, we have an amazing power.

For me, Lidia's quote displays a universal importance behind the writer-reader relationship. Every reader may be different, but nearly every reader can appreciate feeling connected to someone else (AKA: you). Writers, as a species, have all kinds of goals when it comes to their work. But I think few of us could deny that some success lies in making readers feel less alone and more loved.

The big question is how to create this connection. What can you write that will form a bridge from your heart to the heart of your reader? That's something we can only answer for ourselves. And of course, all this lovey-dovey stuff ain't the only way of looking at things. What do you hope your writing will "do" out in the hands of readers? Are you looking to help, to enlighten, to dazzle, or something else entirely?

Share/Save/Bookmark

credit
Road trip. Nothing but you, a bag with a change of clothes, a killer playlist and the few people you know best in the world. You pile into the car, excited, unsure of where this adventure will lead and dying to find out where you’ll end up.

The first few days are golden. Singing along with The Cure at the top of your lungs, wind in your hair, getting to know your companions even more – finding out what really makes them tick. Discovering their hopes, their fears, and their flaws.

And with so much time spent crammed in the car together, it’s inevitable that those flaws start to grate on you. There’s no telling how long this trip will last, how many more miles you have to go – but you need a break. What started out as an epic adventure is rapidly turning into a chore. And finally you reach your breaking point.

Time to kick your characters out of the car.

It’s usually hard for writers to take a break from their work. Sure, we can stop writing. But getting those characters and their story out of our heads? Another issue entirely. Because no matter how much they may irritate us, we love them and we have to finish this trip.

Sometimes, finishing requires time away to regain your focus. So how can you take a break, a real break, from a story? With a technique all writers master at some point or another: Distraction.

5 Ways to Distract Yourself from Your Characters

  1. Change your routine. It’s when I’m doing the things I do every day – going to the dog park, waiting in line for coffee, picking up groceries – that my characters sneak into my head and suck me back into their story. Just by putting myself in a new setting, like taking my dog to the lake instead, or trying a new cafe or market, I force myself to become more aware of my own world and not my characters’.
  2. Start a new project. Maybe a short story, non-fiction narrative, a poem, a musical composition, or a whole new novel. Even if you don’t finish it, that initial excitement can not only help provide a much-needed break from the original story, it can also help give you a confidence boost.
  3. Meet new people. Actual people, not more people inside your head! Those first few conversations with a new friend can really command all of your attention.
  4. Help another writer. If you have friends who are writers, you have friends going through the same thing you are. Ask them how their projects are going and talk through any problems – get to know their characters. Offering solutions to them just might trigger a solution for you, too.
  5. Exercise. Specifically, try something that requires a lot of focus, such as yoga or a martial art. Even if it’s just 15 minutes, the break will do both your mind and body a lot of good.

What do you do when you and your characters are, as Ross would say, “on a break”?

Share/Save/Bookmark

When Jealousy Turns Ugly

Source
Jealousy is a normal emotion. I mean, I’m pretty sure that anyone who claims to never, ever be jealous is either a) lying or b) secretly an alien. I think the publishing industry particularly lends itself to feelings of jealousy, because there are so many ways to compare yourself to others at every stage of the process: someone is getting more full requests than you; they’re getting more personalized feedback on rejections; they got five agent offers and you only got one; they sold their book very fast or for a large sum or to your dream editor; they got great reviews or an award; the list of reasons to envy someone is endless. There’s nothing wrong with feeling envious. It happens.

The problems come when the jealousy turns into something more bitter. If you keep this bitterness to yourself or to yourself and friends, it probably doesn’t hurt anyone. But the problem is, I see a lot of people not keeping it to themselves, and not being very nice about it. It doesn’t matter if you’re anonymous. It doesn’t matter if you don’t know someone. It is still incredibly easy to find forum posts or nasty tweets, even if you aren’t looking for them. And it’s not helping you or anyone else to say horrible things about another person based off petty things like the size of their deal or the fact that you read their PM announcement and thought their book sounded dumb. Justify it all you want, but if you’re being hateful, you’re being hateful no matter what you think they did to deserve it.

Of course it feels a lot better to say, “God, nothing good gets published anymore! Apparently to get a deal I have to have a badly written ripoff of [insert latest big deal book here]” and to have people commiserate with you about it, and to feel like this is a scenario where it’s not you, it’s them. But saying stuff like that, honestly, it doesn’t help you and it doesn’t help anyone and frankly, it’s insulting to both the readership and to published authors. Maybe your book does deserve to be published. It’s true that great books just don’t get picked up sometimes, and that’s hugely disappointing. And I certainly won’t pretend I’ve never read a published book and wondered how on earth it got through an agent’s slush pile, let alone all the people who have to approve it at a publishing house. But I have read so many great books. SO many! I read new, great books all the time. And I have to wonder why, when I see people lamenting the crappiness of an entire genre, they are writing in that genre at all (or reading it, for that matter).

This is not a post to say that I don’t think anyone should ever criticize YA novels. Or that no one should ever discuss problems they see in the industry. Or that no one should be able to lament rejections. This is a post to say that if you’re a writer, feeling blue and jaded is part of the process. Hating others for their success isn’t going to bring you any closer. A shorter or easier journey doesn't necessarily mean a less well-earned reward. Your career is the only one you have any control over, so that’s the one to focus on.


Share/Save/Bookmark

Field Trip Friday: June 24, 2011


This week our lovely Kate Hart is off to ALA, so I agreed to fill in for the Field Trip! Hopefully I will not be lynched by an angry mob of Kate fans. SHE'LL BE BACK SOON I SWEAR!

In the meantime . . .

THIS WEEK IN WRITING

-Wither author Lauren DeStefano vlogs about writers and their relationship with Goodreads reviews.

-Publisher's Weekly posted an article about how writers stay offline.

-The Intern posts on finding beauty again after revisions.

-A fun post about "Levels of Done-ness" of a manuscript from YA Muses.

-Scott Tracey did a great post on the author's use of twitter.

-Agent Sarah LaPolla posts about what she asks for when she suggests revisions before an offer of representation.

-"Creativity is like chasing chickens." Christoph Niemann on happiness, work, and creativity.

-In a Slate article that had the twitter world exploding Thursday, two authors discussed writing literary adult fiction vs. writing YA.

-Nathan Bransford talks about the openings to avoid when writing a novel.

THIS WEEK IN READING


-We finally learned what Pottermore is! Well, sort of. GalleyCat does a little bit of explaining, but looks like we'll have to wait until October to find out, unless you're one of the lucky few who gets into the site in July. Here's hoping!


-In frustrating and angering news, a school board in Richland, Washington has decided to ban a book without even reading it first.

-Also frustrating, the Huffington Post decided to agree with WSJ about the quality of YA novels.

-A bunch of rad authors and illustrators got together to do this video for the "It Gets Better" campaign.

-Will indie bookstores start charging for author events?

-Author Malinda Lo explains why adult readers shouldn't apologize for reading her YA novels.

-Kirkus tells us why we should read sci-fi.

-Amazon announces the "essentials of young adult fiction."

THIS WEEK IN PUBLISHING


-Agent Rachelle Gardner discusses whether or not publisher's edit books.

-Looking for an agent? Planning on querying widely? Here's a post on why you might want to reconsider.

THIS WEEK IN OTHER STUFF

-Here's a pretty rad infographic about what happens on the internet in 60 seconds.

-As a teen TV junkie, I loved this article on the best TV high school fashion.

THIS WEEK IN CONTESTS

-Chelsey Blair is giving away a Sarah Rees Brennan book of the winner's choice.

-Woven Strands is giving away a copy of HOURGLASS by Myra McEntire in honor of their 100th post.

-And I'm giving away a copy of ANGELFIRE by Courtney Moulton on my personal blog.

THIS WEEK IN THE RANDOM

In honor of the reveal of Pottermore (and because I like to giggle) let's watch some Potter Puppet Pals and learn some fantastic wizard swears!




Share/Save/Bookmark


Early this morning, I discovered (thanks to the magic of Google Alerts) that my second book with Delacorte/Random House, WANDERLOVE, is available on Amazon for pre-order -- complete with its cover! I thought I'd have a bit of time before I revealed it, but the stars have aligned right now. So, without further ado...




About the book:
It all begins with a stupid question:

Are you a Global Vagabond?

No, but 18-year-old Bria Sandoval wants to be. In a quest for independence, her neglected art, and no-strings-attached hookups, she signs up for a guided tour of Central America—the wrong one. Middle-aged tourists with fanny packs are hardly the key to self-rediscovery. When Bria meets Rowan, devoted backpacker and dive instructor, and his outspokenly humanitarian sister Starling, she seizes the chance to ditch her group and join them off the beaten path.

Bria's a good girl trying to go bad. Rowan's a bad boy trying to stay good. As they travel across a panorama of Mayan villages, remote Belizean islands, and hostels plagued with jungle beasties, they discover what they've got in common: both seek to leave behind the old versions of themselves. And the secret to escaping the past, Rowan’s found, is to keep moving forward.

But Bria comes to realize she can't run forever, no matter what Rowan says. If she ever wants the courage to fall for someone worthwhile, she has to start looking back.
Also got my release date: March 13, 2012.

But wait! There's more!

While I love this beautiful cover -- you don't know this yet, but she's Bria, through and through! -- the entire Wanderlove book jacket is even better. There are palms, and ocean, and teeny tiny backpackers on the spine, and I so want to show it to you right this second. But, the jacket text reveals Wanderlove's SECRETS. Which I promise to share with you guys soon ;-)

(Though it'll speed things up if you add Wanderlove to Goodreads!)
Share/Save/Bookmark

Obsessed.

I think most writers are familiar with obsession. Not in a creepy way (...necessarily). But more of us are obsessed with ideas, stories—and characters.

Sometimes character obsession comes easy. Right from the start, we're wild about a character,
crazy in love with writing them to life. Other times… not so much. They're stubborn coming out, anger-making in the wrong ways, frustratingly enigmatic, or just meh.

When I was finishing up the first draft of my third book, I realized I found several of my main characters interesting—but not fascinating. At best, I was curious about them, but never compelled. Worse, some I found sort of boring. It made me care less about them in general. Which made me care less about their interactions with my protagonist, and as a result, the whole story.

What's funny is, my first book, Like Mandarin, is about obsession – a younger girl's obsession with her town's wild girl. For my readers to buy Grace's obsession, I knew I'd have to be obsessed with Mandarin myself. I did the same in my second book, in which a girl joins two colorful, ultra-seasoned travelers off the beaten path. I made sure I was wild about all three of them.

Apparently it's one of those things I rediscover with every book I write: that I need some level of obsession with every major character. Because if I'm not intrigued by them, why should my readers be? If I want you to be excited when they appear on the page, I need to be excited to write about them.

I need to be obsessed.

And not just with my point of view character. Obsession with our protagonists goes with the territory, especially if our books are in first person: we reside in their heads. We think through them. We know almost everything about them—when we're finished writing the book, at least—and find all of it compelling enough to tell their story. Love interests are just as important, particularly if the romance is a focal point of the book. For the protagonists we know so well to fall for them, we need to fall for them too.

However, I'm also talking about antagonists. Think of all your favorite villains—weren't they just as intriguing as the main character? At times, even more so? What about secondary characters with lots of page time, like the best friend? The mother? The little brother? Do they hold your interest when reading or writing them? Is there a strong sense that they have whole lives of their own, extending far off the protagonist-led pages? Or are they just plot devices—or worse, stock space-takers?

Of course, not every character in every book can be entirely three-dimensional. There just aren't enough dimensions to spend on way-off-to-the-side characters we only catch in glimpses. But I do believe even third tier characters can be interesting: gifted some quirk or unique mannerism, a splash of color, a memorable tag or physical quality. All this can be clarified or amplified the more important a character becomes.

How do you become obsessed with your characters?

I'm not sure you can force obsession. But you can certainly guide it.

Here's what I do. Before I revise, I sit and think about each major character, one by one, out of the context of the story. Usually, I take notes longhand, jotting down what comes to mind. It's similar to the character brainstorming I do early on in the writing process. But at this stage, I already know quite a bit about my characters; I'm searching for more of a spark.

I think about backstory. Formative memories. Often, seemingly superficial stuff leads to deeper epiphanies. Scars or tattoos can have stories behind them. Pondering each character's upbringing, parents, siblings, friendships, prior relationships, sexual histories can result in intriguing surprises that resonate in the story at large. Hobbies, talents, or passions enrich as well as make characters more sympathetic.

Obviously, we can't pack in everything; the less prominent a character, the less about them we can fit in our stories. But even if I can't include some of the details I've figured out about my secondary characters, as long as I'm more excited about them and their contributions to the story, I think it comes across in my writing—and it will in yours, too.

What characters are you obsessed with in your own writing, or in books you love?
Any tips for falling in love with your characters?

Share/Save/Bookmark

source
Welcome to our 84th Road Trip Wednesday!


Road Trip Wednesday is a ‘Blog Carnival,’ where YA Highway's contributors post a weekly writing- or reading-related question that begs to be answered. In the comments, you can hop from destination to destination and get everybody's unique take on the topic.

We'd love for you to participate! Just answer the prompt on your own blog and leave a link - or, if you prefer, you can include your answer in the comments.

This Week's Topic:
The house is on fire and you've only got time to grab five things. What are they?


Road Trip Song of the Week:
”>Playing With Fire" by The Rolling Stones


Share/Save/Bookmark

Are We Obsessed With Facebook?

A few technical difficulties prevented our regularly schedule post from...er, posting today. Apologies! But we found an interesting infographic, which, while perhaps not as frightening as yesterday's, is certainly eyebrow raising. Enjoy!

Are We Obsessed with Facebook?
Via: Online Schools
Share/Save/Bookmark

Positions for Writers

.....to write in. Of course.

photo by cmcbrown
I read a proposal once, and I dearly wish I could find it to link but this was years ago, that detailed the benefits that would come from introducing standing desks to schools. The proposal suggested that because standing requires more energy than sitting, children would be less antsy and have a higher level of concentration. (Because really, is there anything crueler than forcing a seven year old to SIT all day?)

As writers, we tend to sit. A lot. It's rough on our backs, bad for our posture, and decreases alertness. And we need to stay alert! Who knows what that antagonist is going to pull next?

Standing desks are a great choice, but can be pricey if you aren't sure how you feel about it. Before purchasing one, check out my friend Seth's piece on Happenchance, where he explains his thoughts after 3 months of using a standing desk.

Maybe you don't want to buy anything new, but you're ready to change positions. (Why does everyone giggle when I say that?) Here's a few suggestions:

1. Write at the kitchen counter, or better yet, bar (if you've got one.) Okay, this doesn't help the hunching. But it puts you on your feet, which helps create a sense of engagement - and we tend to burn up to 50 calories more per hour standing instead of sitting!

2. Write at the window. A view of the outside world can do wonders for reducing that reclusive writer feeling. Improvise with a writing surface – use a music stand, a high stool, the back of the sofa. Face the great outdoors (whether you've got a view of a park or a parking lot) and write.

3. Write on the treadmill. They make treadmills for writers, but a regular one will do! Most treadmills are designed to rest a magazine or book within seeing distance - why not a notebook? No worries about handwriting; if you're anything like me it's probably legible only to you, anyway.

This might sound uncomfortable, but keep in mind, you don't have to write on your feet for hours at a time to enjoy the benefits. Next time you're hunched over your desk or curled up on the couch, frustrated at the lack of progress on a tough scene and needing to stretch your back, just get up, grab a notebook and head to the counter, the window, the treadmill, wherever, for fifteen minutes. Chances are it'll do both your body and your story good.

And if that wasn't enough to convince you, here's a terrifying infographic:

Sitting is Killing You
Via: Medical Billing And Coding
Share/Save/Bookmark


As our story opens, a horrific family tragedy sets sixteen-year-old Jacob journeying to a remote island off the coast of Wales, where he discovers the crumbling ruins of Miss Peregrine’s Home for Peculiar Children. As Jacob explores its abandoned bedrooms and hallways, it becomes clear that the children who once lived here—one of whom was his own grandfather—were more than just peculiar. They may have been dangerous. They may have been quarantined on a desolate island for good reason. And somehow—impossible though it seems—they may still be alive.


On the surface, Ransom Riggs' debut novel is not that much different from so many paranormal YAs that line the shelves at Barnes & Noble. It has the very traditional premise of A Boy on a Quest. A Dark Family History. Scary Monsters That Lurk in the Night. The Strange, Feisty, Beautiful Girl. But that is where the traditional aspects of this novel end. Because this book is built around history and legend and a series of surreal vintage photographs, and this is something I haven't seen in today's traditional YA. This multimedia story is rich and exciting partly because it manages to engage the reader's senses - we read about the characters, and we see the characters. We read about a setting, and we see the setting. This, added to the world-building surrounding both Wales and Miss Peregrine's orphanage, create a gorgeous, haunting novel that left me (and other readers, I'm sure) hungry for the sequel.

Share/Save/Bookmark

~* YA Highway is excited to announce seven new additions to the blog! *~ 

You'll probably recognize these fabulous writers from around the blogosphere. 
Please help us welcome our new contributors!


Photobucket 
Amy Lukavics lives for dark contemporary. She is certain that the Lady Gaga song "Hair" was written for/about her and loves cooking, horror movies, sour candies (or any candies really,) playing the Xbox 360, and being a Mama. She is represented by Joanna Stampfel Volpe of Nancy Coffey Literary

Blog: www.lovethefreeworld.blogspot.com
Twitter: @amylukavics






Photobucket Phoebe North writes stories about aliens for teenagers from her home in New York state. She loves both Star Trek and Star Wars and doesn't believe you should ever have to choose. She is represented by Michelle Andelman of Regal Literary.

Blog: www.phoebenorth.com
Twitter: @phoebenorth




Photobucket  
Sarah Enni is a full-time journalist living in Washington DC who preempted her quarterlife crisis by writing about paranormal goings-on involving teenagers. She gets a bit too competitive about things like Mario Kart, Taboo, and multi-player Tetris. In 20 years, she hopes to be hand-making letterpress cards in her used bookstore-coffeeshop-wine cafe.

Blog: www.sarahenni.com
Twitter: @SarahEnni





Photobucket Stephanie Kuehn is a YA writer living in Northern California and still waiting to grow up. She loves sports, languages, Santa Cruz, autumn leaves, stone fruit, and anything that can make her laugh out loud. In literature and life, she is drawn to realistic worlds and under-represented voices.

Blog: www.stephaniekuehn.com
Twitter: @stephkuehn






Photobucket Sumayyah Daud is a 21 year old English literature student (of the medieval and early modern variety). She lives in the first and most relevant district and when she isn't studying or writing, she's attending to her cylon storm trooping duties. She also plans to one day own a hairless cat named Minion.

Blog: www.theravendesk.org
Twitter: @theravendesk 


Photobucket Veronica Roth is the 22-year-old author of  DIVERGENT, a NYT Bestselling YA dystopian thriller published by Harper Collins/Katherine Tegen Books. She's also a graduate of Northwestern University, a Chicago-suburb resident, a Christian, and A Tall Person, among other things. She is represented by Joanna Stampfel-Volpe of Nancy Coffey Literary 

Blog: veronicarothbooks.blogspot.com
Twitter: @VeronicaRoth







"But wait," you say. "That's only six. Who's the seventh?"


Well, she doesn't have a name yet, but...









Photobucket

everyone at YA Highway is overjoyed to welcome Leila's new baby girl, who arrived June 10th-- about five weeks early! Mom and baby are both doing great.  


Congratulations, Leila, and to all of our fabulous new contributors: we're so glad to have you!




Share/Save/Bookmark

Photobucket
Share/Save/Bookmark

Field Trip Friday: June 17, 2011



THIS WEEK IN WRITING

geek yoga - Learn yoga for writers with Between the Margins.

- Author Laura Pauling has five tips for a rockin' sequel.

- Steff Metal at Men Without Pens describes the challenges of writing without color.

- "Dear Mr. Keillor: Let the writers whine," from author John McCusick. 

- Author Jodi Milner gives six easy ways to avoid writing in a vacuum.

- Author Tahereh Mafi encourages you to reach for the brightest star.

- Check out forty questions for a stronger manuscript at Adventures in Children's Publishing.


THIS WEEK IN READING

Pottermore - Big Harry Potter news this week: A new trailer (see below) plus lots of speculation about "Pottermore," a mysterious new website that JK Rowling will apparently explain next week.

- Actress Jennifer Lawrence, soon-to-be best-known for playing Katniss, reportedly recorded a song for the Hunger Games movie this week.


- Super detailed guest post at Literary Rambles about what's popular with teens at the library.




- The WSJ/#YASaves controversy's not over: Read the transcript of NPR's interview with Meghan Cox Gurdon, Patricia McCormick, Christopher John Farley, and Candice Mack; Entertainment Weekly asks author Jay Asher for his opinion; and even the Baby Sitters Club saves lives.


THIS WEEK IN PUBLISHING

fired - How to lose a job in publishing, from Publishing Trendsetter.

- Having an agent is weird. Love this post from The Intern.

- The Passive Voice explains how to read the agency clause in a contract.


- Why should you have an online presence? Agent Kathleen Ortiz has the answer.


- Author Ellen Jackson talks about dealing with rejection.

- It takes work to network, says author Shannon Whitney Messenger. 

- Publishing runs on its own time, explains Eric at Pimp My Novel.



THIS WEEK IN OTHER STUFF



THIS WEEK IN CONTESTS

- Lauren Elizabeth Morrill has an ARC of The Future of Us!

- Dawn Metcalf has SIX awesome prize packages!

- Win an ARC of Forever at um books!

- Angelica R. Jackson is giving away a copy of Through Endangered Eyes!

- The Nightstand celebrates its launch by giving away signed copies of Huntress and Slice of Cherry!


THIS WEEK IN THE RANDOM

I made it through approximately nine seconds of this Hunger Games/Britney Spears mashup video.

But this one... I don't even have to comment on this one.

And! New Muppets! In November! via Michael Bourret
Have a great weekend!



Share/Save/Bookmark

Last September, Lisa Desrochers's debut novel PERSONAL DEMONS hit shelves, and it was one of my favorite YA paranormal romances of the year. With steamy romance, a smart heroine, and a nice dose of danger, it was a book I couldn't put down.


Which is why I was so excited to read the follow up, ORIGINAL SIN. I was prepared for the book to be good, of course, since I'd loved the first so much. I was not expecting it to be nearly this good.

PLOT SUMMARY:

Luc Cain was born and raised in Hell, but he isn’t feeling as demonic as usual lately—thanks to Frannie Cavanaugh and the unique power she never realized she had. But you can’t desert Hell without consequences, and suddenly Frannie and Luc find themselves targeted by the same demons who used to be Luc’s allies.

Left with few options, Frannie and Luc accept the protection of Heaven and one of its most powerful angels, Gabe. Unfortunately, Luc isn’t the only one affected by Frannie, and it isn’t long before Gabe realizes that being around her is too…tempting. Rather than risk losing his wings, he leaves Frannie and Luc under the protection of her recently-acquired guardian angel.

Which would be fine, but Gabe is barely out the door before an assortment of demons appears—and they’re not leaving without dragging Luc back to Hell with them. Hell won’t give up and Heaven won’t give in. Frannie’s guardian exercises all the power he has to keep them away, but the demons are willing to hurt anyone close to Frannie in order to get what they want. It will take everything she has and then some to stay out of Hell’s grasp.

And not everyone will get out of it alive.


ORIGINAL SIN is a brave, unique, and unflinching novel. YA can get dark, we all know that, but this book went darker and deeper than any other paranormal romance I've read. The emotions are raw and the themes of sex, trust, and betrayal are compelling. I intended to read a few chapters and ended up staying up all night, unable to tear myself from Luc and Frannie's story.

Personally, I love dark, twisted things. And while this novel was much darker than PERSONAL DEMONS, I thought that the shift in tone still fit well with the characters and the series. The demons are scarier this time around, which means the stakes are higher. At points the book was painful to read as characters I've grown to love suffered and were put in some awful, awful situations. Desrochers didn't shy away from tough subjects, and no character is safe here. For the heartache that gave me, it also made the novel that much better.

ORIGINAL SIN isn't a book for all readers. I can already hear the outcry from some librarians and the WSJ staff *eye roll*, but fans of PERSONAL DEMONS who aren't afraid of the dark, honest story ahead won't be disappointed. This novel is even better than its predecessor! And I can't wait for the third book!

Share/Save/Bookmark

Road Trip Wednesday #83: The Elevator Pitch

Welcome to our 83rd Road Trip Wednesday!


Road Trip Wednesday is a ‘Blog Carnival,’ where YA Highway's contributors post a weekly writing- or reading-related question that begs to be answered. In the comments, you can hop from destination to destination and get everybody's unique take on the topic.

We'd love for you to participate! Just answer the prompt on your own blog and leave a link - or, if you prefer, you can include your answer in the comments.

This Week's Topic:

You're re-reading one of your favs when someone asks the dreaded question: "What's that book about?" Give us your best off-the-cuff blurb of any book, any genre, and have your readers try to guess the title in the comments!

Example:

Well, this high school chick gets her first period in the gym showers and totally freaks. Her classmates pretend to like her, then humiliate her at the prom by dumping pig blood on her head, so she kills them all by using her telekinetic powers and burning down the school.


Road Trip Song of the Week:
We Didn't Start the Fire" by Billy Joel

Share/Save/Bookmark

Defining Success In Writing

So I sorta borrowed this topic from Rachelle Gardner’s post awhile ago regarding defining success as a writer. I thought about it and realized that success can be one of those ever elusive moving targets you never seem to reach, if you let it.  

For example, in the very beginning you might define success as actually writing an entire novel (what is undoubtedly one of the hardest parts of writing). There is a sweet taste of victory when you type The End that very first time. At this point, you have already succeeded, because the vast majority of people who want to write a book never finish it.

Then you think, hmmm, this is good. So you polish up that query, send it out, and *GASP* get requests for the full. SUCCESS. You jump up and down, scream and dance and generally freak out. (And then have a moment of pure terror when you think your book is a huge hunk of crap, bemoan the fact you ever thought it was good enough, and convince yourself that the agent is going to use it to line her cat’s litterbox.)

But then…agent wants to schedule a call. To talk about YOUR book. Holy crap. You practice your phone voice, call everyone you know and tell them not to call you on that particular day and time, do your hair and put on make-up and sit eagerly by the phone to wait. Then it rings, your heart stops and for a split second, you’re afraid you’re going to throw up all over the new shoes you bought to celebrate. After blanking out, referring to the sweaty piece of notebook paper where you wrote down the questions to be sure to ask, you hear the magic words. “I’d love to represent you and your book.” SUC-CESS! 

Then more angst, because after you tweak a few things, your new fab agent sends you a list of editors she thinks will be perfect and suddenly, real life editors are going to read your book! You enter the merry-go-round of being on submission (or the Seventh Circle of Hell as we fondly call it). Then one day, maybe a week, maybe a month, maybe even a year later, your agent calls and tells you that you have editor interest. Which soon turns to an offer! Holy crap talk about SUCCESS! Your book is going to be published! A dream come true.

Once the excitement dies down though, you realize it sold in a 2 book deal, but you don't have the 2nd book even in your head as a concept yet. What if you can't do it again? What if you end up like some VH-1 One Hit Wonder? What if it sucks? You start, you stop, you realize it's a lot harder to write a book you already know a lot of people are going to be looking at closer from the get-go. But you do it. You make it through and your editor loves it. MORE SUCCESS.

Then after many many months, your book is on the book shelves. In stores! On the NY Times Bestseller list! MORE SUCCESS THAN YOU COULD HAVE IMAGINED! Book 2 comes out, it's even bigger. Everyone loves you. They stand in line just to get your autograph. You're a STAR. They make a movie out of your book and it's bigger than sparkly vampires. And you want more, more I say! When you accept your Noble Peace Prize, you laugh at the people who told you you'd never make it. Next to the word success in the dictionary is your picture. MEGA SUCCESS BABY.  

Okay, so most of this post is a slight exaggeration and a bit tongue-in-cheek, but it's to illustrate that no matter how you might define success, there is always something more. Something bigger you can want. The thing about success is that it's different for everyone. You need to define your own measure of success, whether it's simply typing The End or buying a tropical island with your vast fortune. And your dreams of success can change with each reached milestone too. Maybe you want more, maybe you want less. It's the one thing, the only thing that we, as writers, can control in this crazy industry.

So right at this exact moment in time, what would you say your biggest writing success has been? What are you infinitely proud of accomplishing today and want to tell the world about? :) 

Share/Save/Bookmark

congrats emilia!
Share/Save/Bookmark

The summary, from the back of the book:

One girl must learn that being true to yourself is one of life's greatest honors. 


Nothing is as it seems in a world where the living mingle with the dead and dreams can turn into frightening reality. Chaos is beginning to spread across the land and Dara is all that stands between the salvation of her beautiful homeland and its total destruction. 


Together, with friends from past journeys and new allies who may not be what they seem, Dara must build an army to confront Chaos. But as she and her army prepare for the final battle, Dara realizes that the only person she can really count on is herself...


This is the third book in a series, and while I would say you don't have to read the first two first (he does enough recapping that you won't be confused), I would recommend that you do, because you'll miss a lot of the story otherwise. The biggest strength of this series is definitely the inventiveness. There are all sorts of well-described fantasy creatures and the world building is solid. At times, certain details were hammered home too hard, repeated too many times, and I wished the author would trust a bit more that I'd gotten it the first time. But if you're looking for an adventurous fantasy read, check this series out.
Share/Save/Bookmark

YA Fairy Tale Retellings

From the Celebrity Fairy Tales series by Annie Leibovitz
Fairy tales have endured for hundreds of years for a reason: they are a mix of the simple and the complex; they appeal to our sense of moral justice, romance and longing; their themes are universal; and they often include a surprise twist that keeps us entertained.

The story of a sweet, poor girl falling in love with a rich "prince" is not new, and every time we hear the story we immediately think Cinderella. The monstrous-seeming boy whose beastly ways are turned around by the patient girl brings to mind Beauty and the Beast.

A handful of YA fairy tale retellings pop up every year. Some hold close to the original tale, deviating little from original story lines and characters, while others use the themes as a guideline only, building a rich new world and cast of characters around those themes.

These are the best retellings, I think. I am drawn in by the mix of something comfortable and familiar combined with a fresh, new *big* spin. And when there are so many writers drawing inspiration from fairy tales, you need something to help your story pop. That could mean having the reader ask questions about the characters' sexual orientations, like ASH, by Melinda Lo (Cinderella), or placing the tale in an unexpected setting, such as Nazi Germany, as with BRIAR ROSE by Jane Yolen (Sleeping Beauty). Instead of recounting a story word for word (with minor changes, like putting it in a modern high school), really dig into the story and determine how turning some aspects of it on its head helps deepen the themes. Play up a dark, sinister thread, ask yourself how the story would play out if told from a maligned character's perspective or challenge the characters to be more than two-dimensional examples.

That doesn't mean you can't have ballgowns and castles and love. Sometimes, a breezy retelling hits the spot. Even so, how are you going to tell the story so that it is set apart from everything else out there? Meg Cabot's PRINCESS DIARIES series is classic Cinderella, but it's hard to not have fun with these books, with their endearingly clueless main character and snappy dialogue.

Don't shy away from the possibilities, should you want to draw on the vast fairy tale literary legacy. Whether you choose a well-known, Western tale, or a multicultural tale, give the story your own twist, your own flavor, and something unexpected to blend with the familiar.

What are your favorite fairy tale retellings?
Share/Save/Bookmark

Anniversary Giveaway Winners

A huge thanks to everyone who entered our two-year anniversary giveaway! Here are the winners of our prize packages, as determined using random.org:

1. SHATTER ME and SMALL TOWN SINNERS: Paulina Golaszewski

2. THE RIVALS and THE PREDICTEDS: Popin (proudbookworm)

3. THE IRON WITCH and WINTER TOWN: Bookish Brunette

4. FRACTURE and THE IRON QUEEN: Marjory Lynn Pride

5. THE APOTHECARY and AFTER OBSESSION: Leah Miller

6. THE SCORPIO RACES and AU REVOIR CRAZY EUROPEAN CHICK: Bethany (fallenleaf99)

7. THE SHATTERING and SHUT OUT: Audrey (holesinmybrain)

8. CITY OF FALLEN ANGELS + necklace: Diana (artgiote)


We have emails for all the winners, and will be in touch asap to get your mailing addresses. Congrats and thanks again to all of you!
Share/Save/Bookmark

- Usually, I post "the big news" of the week as part of our Friday round up, but there was just too much to include on this topic. Be sure to check out the main post for lots of other great publishing links! -

The Controversy:

On Saturday, the Wall Street Journal posted "Darkness Too Visible," an article in which Meghan Cox Gurdon claimed that "contemporary fiction for teens is rife with explicit abuse, violence and depravity," and asked, "Why is this considered a good idea?"

The YA community answered. Loudly. (Because that's what we do. We speak loudly.)

book coversPublisher's Weekly has already written a great overview of the issue, so rather than summarize the arguments as in our last special edition, I've just organized the week's myriad responses. Some of the comments on the original article are sucking my will to live, but there are plenty of antidotes here.


Responses from Authors Mentioned:
  • Cheryl Rainfield: "I could not have survived my child- and teenhood without books." (Includes list of related links)
  • Sherman Alexie: Just read the whole thing. I can't possibly pick a favorite quote. 
  • Lauren Myracle: "Unlike Laurie, I don’t feel compassion toward Mrs. Gurdon Cox." 




      Rebuttals:
      • Author Laurie Halse Anderson: "As a preacher’s kid, and as someone who loves a lot of conservatives, and lives in a rural, conservative community, I understand the adults who are terrified of YA books. I feel compassion for them. Because it’s not the books they’re afraid of."
      • Linda Holmes at NPR: "It's a lovely thought that surrounding kids with fun books about beauty will bend their perspectives toward beauty like a plant growing toward a sunny window. And certainly, it would be bad if everything always were murder and death and misery. But adolescence is a dark time for a lot of people."
      • Author Ellen Hopkins: "Step up to the plate, parents. Read with your kids. Open the lines of communication and discuss your kids’ favored reading material with them. That’s parenting. Censorship is not."
      • Author and psychologist Sarah Fine: "The lady is entitled to her opinion. The problem I have is if her opinion is mistaken for thorough, well-informed analysis."
      • Christopher John Farley: "The worst pathological books will fade away with childhood. The best will live on and become permanent parts of the landscape of adolescence."   
      • Librarian Jessica Miller: "As a YA Librarian, the most important part of my job is to connect the teen readers... to the right book." 
      • Blogger Travis Darling: "Should YA novels be full of a deceitful joy and beauty or should they instead contain realism, characters and situations that we can identify with and be inspired by?"
      • Blogger Leila: "It is hard to deny the point that a lot of YA lit does cover dark material but the point is that these are still issues that teens face in these days."
      • Blogger Jen: "Can people just please, please, please back off of my favorite genres?"
      • Author Suzanne Lazear: "I only wish my parents noticed exactly how many books I read (both fiction and non) about eating disorders." 
      • Author Laini Taylor: "They're being disingenuous. I don't actually think their real fear is that their young people will be made dark by reading about darkness. I think their real fear is that their young people will be made free."
        • Bookseller Josie Leavitt: "Experts exist for a reason. If parents, or teens for that matter (who actually do a pretty damn good job of self-selecting what they’re comfortable reading), are feeling besieged by what they think are the only books out there, then talk to a bookseller about what you feel is appropriate for your child to be reading."
        • Librarian Shedrick: "YA literature doesn’t present the world as it should be.  It presents it as it is."
          Photobucket
        • Author Everett Maroon at GayYA: "Those of us dedicated to producing the best written stories for young readers are a tough lot. Must be all those scary novels I read as a kid."
        • The LA Review of Books did an entire series, with pieces by Ned Vizzini, Caissie St. Onge, Margaret Stohl, and Cecil Castellucci, which includes this fantastic piece:
          "I thought having a special spot was a good idea. So I picked one on my body. It was right above my right hip bone, like where my appendix is. Sometimes I’d touch my special spot. Now I know that Deenie’s special spot and my special spot were totally different spots."

        In Defense of Meghan Cox Gurdon:
        • Author Veronica Roth: "I feel like I understand the situations of the two people involved in the article-- that is, the woman described in the beginning and the article's author."
        • Author Misty Provencher: "What the WSJ Could Have Said Without Getting Creamed"

        • Blogger Andye at Reading Teen: "So....do books have an affect on teens or not? I definitely think they do.  And I think they can affect kids positively or negatively.  I think it depends on the child, the book, the situation, the parental involvement, and many other factors.

        • Blogger Janice Harayda: "In her latest article and others, Cox Gurdon has paid young people’s literature the highest compliment:  She has given children’s books the close scrutiny that, in an age of shrinking book-review sections, typically goes only to those for adults. For that, she deserves gratitude."

        • Meghan Cox Gurdon defends herself on Minnesota Public Radio.

        Dear WSJ: Stuff It 
        • Agent Janet Reid: "I'm not apologizing for reading, representing and selling YA books."
          • Editor Roger Sutton: "If you're a teen who is running your reading choices by your parents, grow up. If you're a parent who feels compelled to approve your child's reading, shut up. The books and the kids are all right."
          • Author Lindsey Roth Culli: "Gee. Wouldn't it be great if there was like, a way to tell if certain 'pathologies' are cropping up more? Hold. The. Phone. Google DOES have such capabilities."
          • Author Gayle Forman: "I’m not even going to talk about that ridonculous piece in the Wall Street Journal... What I am going to talk about, because I have experience in this matter, is crappy journalism, and the dangers of bullying loudmouths setting the agenda." 
          • Author A.S. King: "If our society would stop being so obsessed about sexuality, gender and sex roles maybe we’d have some time to talk about and work on the real problems which cause real darkness in 1 out of 3 people’s lives."
          • Author Courtney Summer (whose post is brilliant illustrated with gifs, because that's how we do in YA): "I am so thankful for writers who confront the darkness rather than hide from it. I am equally thankful for writers who show us the brighter side of life as well. AND OH MY GOD do you think there are books out there that do BOTH? I bet there are. Wow."
          • Professor Philip Nel: "Since Gurdon makes this point earlier in the same article, one wonders whether there are two Gurdons at work here — say, Gurdon (who deplores darkness in lit for teens) and Gurdon Prime (who recognizes that darkness need not beget darkness)."
          • Author Sara Zarr: "It’s that time of year again. ('YA fiction is too [insert popular cultural critique].')"  
          • Author Barry Lyga: "When these disputes arise, I’m always tempted just to post 'Go fuck yourselves' and let that be it. Because, in all honesty, 'Go fuck yourselves' is roughly the same level of respect and consideration they show to me and mine." 
              Photobucket
            • Agent Sarah LaPolla: "I don't feel I need to explain my art to you, Warren."  
            • Author Colleen Mondor: "I'm so tired, so bloody tired, of this sort of foolishness and the fact that space is given to this foolishness and that anyone would think this is a reasonable thing to say when it comes to books and reading."
            • Photographer Kyle Cassidy: "It's kind of like robbing a bank that keeps its cash in an unguarded shoebox in a public park to say 'I'm going to take on the Wall Street Journal's commentary on YA Literature.'"

              No Really, We've Had This Conversation Before:
              • David Lubar: "The History of Young Adult Literature"
                 
              • Author Paul W. Hankins: "There Are Dark Places and Spaces Where We Can Still Talk about Them."


                You Really Couldn't Find Anything On The Shelves? Oh Here, Let Me Do It:

                • Author Diane K. Salerni"Here’s a list of some of the heart-warming classics I was assigned to read when I was in high school."
                • Blogger and librarian Kelly Jensen at Stacked: "These are the books that don't score 6-figure publicity campaigns and are often the ones denigrated by big-named newspapers as smut, as harmful, and as the stuff that ruins teenagers. These are the books that publishers suggest are hard sells, and that those who don't read it completely misunderstand."
                 
                More Round Ups With Commentary:
                • Liz B. at School Library Journal: "If you don’t know about it, it won’t happen to you!"

                  Discussing Related Issues:
                  • The Intern: "In INTERN's case, INTERN's mom didn't stop her from reading YA books because they were too gritty. INTERN was shamed out of reading them because in her (rather snooty when it comes to reading) family, YA books weren't considered "real books"."
                  • Tony Woodlief: Bad Christian Art-- "I’m convinced that bad art derives, like bad literary theory, from bad theology. To know God falsely is to write and paint and sculpt and cook and dance Him falsely. Perhaps it’s not poor artistic skill that yields bad Christian art, in other words, but poor Christianity."

                  Reacting to the Reaction:
                    rainbow zebra
                  • Book blogger Steph Su: "What the hell is really black and white in this world, besides for a chess board and a zebra?"
                  • Author Martha Brockenbrough: "I've come to believe we're not making quite the right case in defense of YA and other children's literature."
                  • Book blogger Ceilidh: "I’m glad people stood up to terrible journalism and book banner mentality and I’m glad they did it in droves. However, Debbie Downer that I am, I couldn’t help but think of YA’s general attitude to criticism and the issue of fighting back against that which is within the YA sphere." 

                  #YASaves Stories
                  • Blogger Pam van Hylckama Vlieg: "I have never in my life uttered that sentence out loud and probably never will."
                  • Blogger Angel: "The class was having a homeroom recollection session one afternoon and our adviser told us to take out a piece of paper and write down the names of ten people who we hated in the class. I was named eighteen times. Eighteen."
                  • Bloggers Julie and Lanna: "Since getting involved with the YA community, I've become more comfortable and accepting of who I am."
                  • Artie Is My Muse: "Sometimes i feel like i have too many of those words flying around in my head- they’re just banging against every surface and i can’t seem to grab the ones i want and they all move so fast i can’t always tell what they are.  And one of the ways that gets me out of that panicky, confusing, upsetting place is to read."
                  • Author Johanna Harness: "I cannot do the mental gymnastics to deny the bad in the world, either for myself or for others.  Bad stuff happens. It happens all the time. I can offer friendship and comfort and an ear to listen. Thankfully, I can also offer books."
                  • Teacher Crissa Chappell: "There is no "right way" to connect students with words on paper. But there's more than one way."
                  • Blogger Nicole: "I owe Laurie Halse Anderson my best friend's life."

                  Getting the Last Laugh:

                  Photobucket
                  Image credit: @alexkost19
                  • Author Kurtis Scaletta: Brightness Too Visible-- "How light are board books? Lighter than you think, sweetie."
                  • Author Sarah Ockler: All This Darkness! What to Buy The Grown Up Reader?-- "Contemporary fiction for grownups is exploding with explicit abuse, violence, depravity, scandal, lies, casual sex, crime, conspiracy, oneupmanship, financial ruin, loose morals, overt glorification of generally bad ideas, and boobs. "  







                  Please link any posts I missed in the comments and I'll add them as time allows on Friday!


                  ADDITIONS:


                   
                   

                    Share/Save/Bookmark